OpenZhenZhen AI Prompt Gallery · MiniMax H3 · video
Boyfriend's View: The Downside of Being Too Obedient in Interviews
Boyfriend's View: The Downside of Being Too Obedient in Interviews — explore this MiniMax H3 creation on OpenZhenZhen, with its original prompt and a reusable generation example.
Prompt
Chinese prompt
[参考生成] 15秒、16:9、真人写实、男友第一人称眼睛视角，一镜到底。<Subject 1>来自<Picture 1>，始终保留同一成年女性的脸、肤色、深色眼睛及深棕色长发；参考图片只用于身份与明确可见的衣着，不是本片开场帧。自然表演与真实物理，普通话对白按下述原句发声，不出现字幕或文字。 暖色傍晚家庭小书桌，两人等高座椅面对面，男友坐姿眼睛与她平齐。她保持参考脸、长发、黑色细肩带上衣，双手起初在键盘旁，面前一台打开的小笔记本；屏幕朝她，盖子背面朝镜头，顶边低于锁骨，不遮脸，也没有可读文字。镜头始终坐姿，无反打。前3秒她装作正式面试官，望着男友而非电脑，问「说一个你的缺点。」男友画外答「太听你的话。」她立刻说「换一个。」男友下意识先答「好……你看。」中间短停顿表示刚意识到自己又服从了，仍是同一人同一句发言。她本想继续提要求，却听懂笑点，稍看电脑再看他，语气缓和说「这次你决定。」男友直接答「下班。」听完才用一只手把笔记本盖子在画面中一次平稳关合，电脑仍在桌上。最后约2秒她放开盖子，隔着已关的电脑与男友对望，既好笑又认输；不再打开或挪动电脑。对白自然快速但不快进；男友手脸身体不入画。室内声、交替普通话和最终关盖轻响；无多余对白、字幕或笑声。 仅指定人物和物件出现，动作因果与位置连续；男友的脸和身体不入画，只在需要时出现指定的手或鞋。环境声及对白与实际动作同步，无旁白、笑声罐头或额外音乐。
English prompt
subject_definitions: <Subject 1> is the adult woman in <Picture 1>. Preserve her facial identity, long dark-brown hair and black thin-strap top. The reference is for identity and visible wardrobe, not the room, laptop or opening pose. summary: [reference generation] A 15-second, 16:9 live-action male eye-POV comedy. <Subject 1> pretends to interview her boyfriend. His supposed flaw is obeying her too readily; when she orders him to change the answer, he automatically agrees, proving his point. She gives him the next decision. He says work is over, and she actually closes the laptop. <Picture 1> supplies her identity. retention_analysis: <Subject 1> (appears in [Shot 1]): fully_preserved - retain the defined face, hair and top. The small home office and laptop are original scene elements. detailed_description: mpov, first-person perspective pov video, eye level. Natural live-action, warm late-afternoon indoor light, 15 seconds, 16:9. One continuous seated eye-POV conversation with no captions, text overlays or external reverse shot. [Shot 1] I sit directly opposite <Subject 1> at a small desk. We sit on matching-height chairs with our eyes on the same horizontal line. She looks straight ahead into my eyes, not up toward someone standing. Frame her full face and shoulders, with only the upper part of the desk below. An open compact laptop sits in front of her, its lid's back facing me; its top edge remains below her collarbones. Her face is unobstructed. The laptop screen faces her and contains no viewer-readable text. Both of her hands are initially beside the keyboard. My hands are out of view. The camera is my still-seated gaze, never a ceiling view or a view over a standing person's shoulder. In the opening three seconds, she plays a composed interviewer. Looking at me rather than at the screen, <Subject 1> (S1) asks in a clear adult female voice, <d>[Chinese] 说一个你的缺点。</d> From the camera position, I (S2), an adult male present in the room but off screen, answer, <d>[Chinese] 太听你的话。</d> She responds promptly, without first realising the trap: <Subject 1> (S1) says, <d>[Chinese] 换一个。</d> I (S2) automatically agree, <d>[Chinese] 好……你看。</d> The initial agreement is immediate; the small pause before the last two words is me catching myself obeying her. This is one spoken turn, not a second voice or a repeated recording. She has begun to prepare another instruction, then stops when she hears my last two words. One brief glance at the laptop and back to me is enough: do not stretch this into a long silent realisation. Her formal manner eases. <Subject 1> (S1) says, <d>[Chinese] 这次你决定。</d> I (S2) answer directly, <d>[Chinese] 下班。</d> Only after hearing that answer, she places one hand on the laptop lid and lowers it fully onto the base in one smooth, visible action. The computer stays on the same desk, now closed. During the final two seconds, she releases the lid and looks back into my eyes over it, with an amused, slightly conceding expression. The visible closed laptop completes my decision; she does not open it again or slide it away. All speech is brisk natural conversation, not fast-forwarded, and the lid closure has its own physical time. No new line or unrelated gesture follows. My viewpoint remains at her eye level. My hands, face and body stay outside the frame throughout. overall_soundscape: Quiet small-room ambience, clean alternating female and off-screen male Mandarin dialogue, a gentle laptop-lid closing sound after the final male answer. The male voice is physically at the viewing position, not narration. No additional speech or laughter track. non_diegetic_music: N/A
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