Galerie de prompts IA OpenZhenZhen · MiniMax H3 · video

Une journée sur le tournage avec le réalisateur

A Day on Set with the Director

Une journée sur le tournage avec le réalisateur — découvrez cette création avec MiniMax H3 sur OpenZhenZhen, son prompt original et un exemple de génération à réutiliser.

Une journée sur le tournage avec le réalisateur — AI video creation
Une journée sur le tournage avec le réalisateur

Prompt

Prompt chinois

20秒、16:9真人纪录片风格视频，采用真实手持16毫米DV摄像机质感：自然抖动、不完美构图、自动对焦拉风箱、细微磁带颗粒、柔和高光、轻微曝光闪烁、低饱和色彩和真实运动模糊；使用所提供的身份参考图作为每个镜头中成年韩国女性的外貌参考，保持她的脸、长黑色马尾、体型和身份一致，同时保留所述服装变化。不使用源视频或源音频。时间线：0.0–2.5秒，柔和晨光卧室，女性在白色被褥中醒来，查看手机并坐起，穿浅米色家居服准备出门。2.5–5.0秒，明亮公寓厨房，她倒咖啡、快速吃一口吐司，用手机查看分镜清单并拿起笔记本。5.0–7.5秒，她换上朴素深色外套和长裤进入小型真实片场；工作人员把电影摄影机装到三脚架上并调灯。7.5–10.0秒，她查看摄影机监视器，指示构图并微调一个小道具，摄影师和工作人员进行实际操作。10.0–12.5秒，剧组拍摄简单桌面场景；她站在摄影机旁喊“Action”，只有自然片场环境声。12.5–15.0秒，她和摄影师在监视器上回看，指出一个小问题并要求再拍一次。15.0–17.5秒，剧组重新布置并再次拍摄；她观看后满意地点头。17.5–19.0秒，傍晚片场或装卸区，她拿着笔记本和手机离开，工作人员在身后把摄影机、三脚架和灯具装入箱子。19.0–20.0秒，夜晚回到家，她换上晚间家居服，在暖色台灯旁用笔记本电脑观看片段，合上电脑并关灯。保持公寓→片场→家中的连续性，设备和工作人员真实可信；不要瞬移、重复人物、手部变形、漂浮物体、炫目转场或未来科技。加入自然女声旁白，中速、停顿放松并与动作对应：“拍摄日总是很早开始。我查看计划，喝杯咖啡就出发。到了片场，我们做几处最后调整。有时还需要再拍一次。很漫长的一天，但我们拍到了想要的镜头。”

Prompt anglais

20-second 16:9 live-action documentary shot in authentic handheld 16mm DV camcorder style: natural shake, imperfect framing, autofocus hunting, subtle tape grain, soft highlights, mild exposure flicker, muted colors, realistic motion blur, practical lighting and believable human movement. Use the supplied identity image as the appearance reference for the adult Korean woman in every shot; keep her face, long black ponytail, body and identity consistent, while preserving the described clothing changes. No source footage or source audio is used. Timeline: 0.0–2.5s, morning in a softly lit bedroom, the woman wakes under white bedding, checks her phone, sits up and prepares to leave in light beige loungewear. 2.5–5.0s, bright apartment kitchen, she pours coffee, takes a quick bite of toast, checks a shot list on her phone and gathers a notebook. 5.0–7.5s, she enters a small realistic film studio in a modest dark jacket and trousers; crew members position a cinema camera on a tripod and adjust lights. 7.5–10.0s, she studies the camera monitor, points to framing and makes a small prop adjustment while the operator and crew work practically. 10.0–12.5s, the crew films a simple tabletop scene; she stands beside the camera and calls “Action,” with only natural set ambience. 12.5–15.0s, she and the operator review the take on the monitor, she points out a minor issue and requests another take. 15.0–17.5s, the crew resets and films again; she watches and gives a subtle satisfied nod. 17.5–19.0s, evening exterior or studio loading area, she walks away carrying her notebook and phone while crew pack cameras, tripods and lights into cases. 19.0–20.0s, back home at night in evening loungewear, she watches the clip on a laptop beside a warm table lamp, closes the laptop and turns off the lamp. Maintain continuity from apartment to studio to home, realistic equipment and crew, no teleportation, duplicated people, distorted hands, floating objects, flashy transitions or futuristic technology. Natural conversational female voiceover, medium speed with relaxed pauses, matching the beats: “Filming days start early. I check the plan, grab coffee, and get moving. Once we’re on set, we make a few final changes. Sometimes you need one more take. Long day, but we got the shot.”

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