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Lueur de bougie derrière le rideau : suivre lors du banquet nocturne sur la barque peinte

Candlelight Behind the Curtain: Following at the Painted Boat Night Banquet

Lueur de bougie derrière le rideau : suivre lors du banquet nocturne sur la barque peinte — découvrez cette création avec MiniMax H3 sur OpenZhenZhen, son prompt original et un exemple de génération à réutiliser.

Lueur de bougie derrière le rideau : suivre lors du banquet nocturne sur la barque peinte — AI video creation
Lueur de bougie derrière le rideau : suivre lors du banquet nocturne sur la barque peinte

Prompt

Prompt chinois

20秒竖屏9:16,超写实中国古代电影质感,连续男性第一人称视角,夜晚大型江上画舫。全片唯一主要成年女性必须使用所提供的身份参考图;每个镜头保持她的脸、肤色、黑色盘发、额前碎发和纤细优雅身形一致。服装始终完整:象牙白古典长衣、深绛红长裙、柔软披帛。其他人物仅为模糊的成年宴客、乐伎、舞者和侍者。 暖琥珀灯笼与烛火、深红帘幕、墨色木构、纱屏、浅景深、柔和高光、真实暗部、临水处极弱冷月轮廓,船体轻微摇曳。摄影机像真实男子一样行走和转头,始终慢半拍跟随她,绝不提前绕到她前方摆拍。舞袖、舞者、木柱、屏风和帘幕可自然短暂遮挡并压缩时间,但方向必须连续。男子的手只出现两次:接酒和拨帘。 0–3秒:从临水宴席进入,经过虚焦灯笼、烛火、酒案、衣袖和薄纱。女子先被人群和纱幔切割遮挡,随后在宴席另一侧显现,短暂注意到镜头。 3–6秒:她先起身,沿原有通道朝镜头走来。她靠近时摄影机自然侧让,她从近侧擦身而过,披帛或衣袖掠过镜头。她不停步、不等待,摄影机转身跟上。 6–10秒:她继续向画舫深处行走。宴客和乐声退入背景,酒案减少,木柱、屏风、帘幕和局部烛光增多,保持连续前进与自然遮挡。 10–13秒:进入安静的临水内廊,她从小酒案取起一只已有少量酒的杯盏,脚步自然放缓,略微侧身向后递出。男子一只古典衣袖的手短暂接过,她立即继续向内走。 13–16秒:她来到深红与米白纱帘前,顺手拨帘先进入。帘子回摆遮住镜头;半拍后男子伸手拨开,摄影机沿同一方向跟入。 16–20秒:私人内舱有低榻、小酒案、墨色木构、烛火和临江小窗。她走到榻边后自然侧身斜倚,裙摆与披帛形成真实褶皱,不主动脱衣或摆出暴露姿态。摄影机停在自然交谈距离。她先垂眼,随后缓缓直视镜头,眼神克制而温柔,带熟悉感、爱慕与期待。近侧纱帘缓慢掠过她部分面庞,她仍保持目光。以半遮半显的斜倚身影、烛火散景和红金纱影结束;不淡出、不增加接触、不加字幕或标志。

Prompt anglais

20-second vertical 9:16 photorealistic Chinese historical film, continuous male first-person POV on a large river pleasure boat at night. Use the supplied identity image for the only main adult woman in every shot; preserve her face, complexion, black updo with wispy bangs, and slender elegant figure. Keep her outfit intact: ivory-white classical robe, deep crimson skirt, and soft flowing sash. Other people are indistinct adult banquet guests, musicians, dancers, and attendants. Warm amber lanterns and candlelight, deep red curtains, dark wood, gauze screens, shallow depth of field, soft bloom, realistic shadows, subtle cool moon rim light near the water, gentle boat sway. The camera behaves like a real man walking and turning, always following her half a beat late; never moves ahead to stage her. Brief foreground occlusions by sleeves, dancers, pillars, screens, and curtains may compress time while preserving direction. His hand appears only twice: receiving a cup and parting a curtain. 0–3s: Enter a lively riverside banquet through blurred lanterns, candle flames, wine tables, sleeves, and gauze. The woman is initially fragmented by guests and fabric, then becomes visible across the room and briefly notices the camera. 3–6s: She rises first and walks through the existing passage toward the camera. The camera yields slightly only as she passes close; her sash or sleeve brushes the lens. She does not stop or wait, and the camera turns to follow. 6–10s: She continues deeper through the banquet. Guests and music recede into the background as tables thin out and wood pillars, screens, curtains, and localized candlelight dominate. Maintain continuous forward movement and occasional natural occlusion. 10–13s: In a quieter waterside inner corridor, she takes a partially filled cup from a small table while walking, slows naturally, turns slightly, and offers it behind her. A male hand in a classical sleeve briefly receives it; she immediately continues. 13–16s: She reaches a narrow corridor with red and cream gauze curtains, parts the curtain, and enters first. It swings back across the lens. After a half-beat, the male hand parts it and the camera follows in the same direction. 16–20s: In a private cabin with a low couch, small wine table, dark wood, candlelight, and a waterside window, she reaches the couch and naturally reclines sideways. Her skirt and sash settle into realistic folds without deliberate undressing or posing. The camera stops at a natural conversational distance. She first lowers her eyes, then slowly looks directly toward the camera with restrained warmth, familiarity, affection, and expectation. A nearby gauze curtain drifts across part of her face while she keeps her gaze. End on the half-obscured reclining figure, candle bokeh, and red-gold fabric; no fade, no new contact, no extra gestures, no subtitles or logos.

Thèmes et styles

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