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Affiche d'art d'installation matérielle à la philosophie du vide oriental

Eastern Minimalist Material Installation Art Poster

Affiche d'art d'installation matérielle à la philosophie du vide oriental — découvrez cette création avec gpt-image-2.5 sur OpenZhenZhen, son prompt original et un exemple de génération à réutiliser.

Affiche d'art d'installation matérielle à la philosophie du vide oriental — AI image creation
Affiche d'art d'installation matérielle à la philosophie du vide oriental

Prompt

Prompt chinois

使用上传的参考图作为画面中微小尺度人物的身份参考。人物必须很小,仅占画面约1%—2%,同时保留原有装置概念、材质、构图、光线和高级编辑风格。创作一张9:16竖版东方留白艺术海报,将修养箴言“知止而后有定”转化为当代装置隐喻。使用带有真实纤维、压痕和纸浆颗粒的高级手工艺术纸作为背景,保留大面积留白,并加入与主题相关的低对比浅浮雕“concentric vessel-shape lines”。设置一个轮廓清晰、具有真实体积和材质触感的“blackened metal with a narrow cinnabar lacquer interior”,通过“retention and return”表达“Self-reflection and returning to the origin”。使用“ink black, warm ivory and cinnabar red”,保持明确主次,让颜色通过漆面、裂隙、倒影、流光或材料内部进入空间,不使用廉价霓虹。将绑定身份的微小人物置于器物旁建立比例关系,但不要让人物成为肖像焦点。中文主标题使用完整准确的现代宋体或雕刻感衬线字形“知止”;同时加入清晰可读的小字号“知止而后有定”、“Hangzhou, October 2026”和英文标题“Knowing When to Stop”。文字必须克制、准确并从属于主体。不要保留未解析方括号、其他人物、标志、水印、乱码、不完整汉字、CGI质感、杂乱构图或刺眼镜面高光。

Prompt anglais

Use the uploaded reference image as the identity reference for the tiny visible scale figure. Keep the figure very small, occupying about 1%–2% of the frame, while preserving the source installation concept, material, composition, lighting and editorial style. Create a 9:16 vertical Oriental minimalist art poster transforming the cultivation motto “知止而后有定” into a contemporary installation metaphor. Use high-end handmade art paper with visible fibers, indentations and pulp particles as the background, with generous white space and restrained low-contrast bas-relief of concentric vessel-shape lines. Feature one large blackened metal with a narrow cinnabar lacquer interior with a clear outline, real volume and tactile texture, expressing Self-reflection and returning to the origin through retention and return. Use ink black, warm ivory and cinnabar red with a clear primary and secondary hierarchy; let color enter through lacquer, cracks, reflections, flowing light or the material interior, never cheap neon. Place the tiny identity-bound scale figure beside the object to establish proportion, without making the person a focal portrait. Use the exact Chinese title “知止” in a complete modern Songti or sculpted serif style, plus small readable text for “知止而后有定”, “Hangzhou, October 2026” and the English title “Knowing When to Stop”. Keep typography sparse, accurate and subordinate to the object. No unresolved brackets, extra people, logos, watermarks, garbled Chinese, incomplete glyphs, CGI look, clutter or harsh specular glare.

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