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Modèle d'affiche d'exposition à énergie potentielle diagonale

Diagonal Potential Energy Exhibition Poster Template

Modèle d'affiche d'exposition à énergie potentielle diagonale — découvrez cette création avec gpt-image-2.5 sur OpenZhenZhen, son prompt original et un exemple de génération à réutiliser.

Modèle d'affiche d'exposition à énergie potentielle diagonale — AI image creation
Modèle d'affiche d'exposition à énergie potentielle diagonale

Prompt

Prompt chinois

主题：Echo of Tides；中文标题：潮痕回声；英文标题：Echo of Tides；主视觉：black-and-white organic tide and mineral forms；辅助纹样：indigo Moiré concentric sound waves；主色：ink black；辅助色：indigo and warm paper white；日期/机构：2026 / Museum of Material Culture。设计一张9:16竖版文化展览海报，整体为当代Editorial Graphic Design与艺术出版物视觉。使用“斜向势能”构图，但不要直接绘制明显斜线：先确定隐藏的对角视觉主轴，让主视觉、中文标题、纹样、日期信息和留白的视觉重量沿同一方向逐步递进。black-and-white organic tide and mineral forms承担主要重量，大型潮痕回声参与版式，可错位、纵排、局部裁切或与主体轻微穿插；英文标题、2026 / Museum of Material Culture及辅助信息缩小并集中在2—3个区域，形成清晰字号层级。只使用一套与主题相关的辅助纹样语言，即indigo Moiré concentric sound waves，不要为丰富而混入多套装饰。背景也参与设计，可用艺术纸纹理、极淡图案残影、图纸、标本信息或材料纹理给留白增加层次，但远看必须清楚。信息量中高且有三层阅读顺序：第一眼看构图与主体，第二眼看中文标题和纹样，第三眼读英文、日期和辅助信息。色彩控制在3—4种主色，通过尺度、裁切、叠压、疏密和留白制造张力。整体应有文化展览海报、编辑设计和成熟印刷出版物质感，丰富但不凌乱，斜向势能自然出现，不为“斜”而硬排元素。可替换案例包括：潮痕回声（黑白有机潮汐/矿物形态，靛蓝Moiré同心声纹）；城中折景（城市钢笔速写折叠观察册，芥末黄地图折页与极淡城市路网）；东方器韵（大型青铜器，饕餮纹、云雷纹和铭文拓印从器物表面延展）；枝间夜航（老树枝与黑色乌鸫，淡赭色大型植物叶片拓印）。

Prompt anglais

Theme: Echo of Tides. Chinese title: 潮痕回声. English title: Echo of Tides. Key visual: black-and-white organic tide and mineral forms. Auxiliary pattern: indigo Moiré concentric sound waves. Primary color: ink black. Secondary color: indigo and warm paper white. Date / institution: 2026 / Museum of Material Culture. Design a 9:16 vertical cultural exhibition poster with contemporary Editorial Graphic Design and art-publication character. Use a diagonal-potential-energy composition without drawing obvious diagonal lines: establish a hidden diagonal visual axis so the visual weight of the key visual, Chinese title, pattern, date information and white space progresses along one direction. Let black-and-white organic tide and mineral forms carry the main weight. Make the large 潮痕回声 participate in the layout through misalignment, vertical setting, partial cropping or slight interweaving with the subject; scale down the English title, 2026 / Museum of Material Culture and auxiliary information and concentrate them in 2–3 areas for a clear type hierarchy. Use exactly one auxiliary pattern language related to the theme, namely indigo Moiré concentric sound waves; do not add multiple decorative systems for richness. Let the background participate through art-paper texture, extremely faint pattern afterimages, drawings, specimen information or material texture, adding layers to the white space while remaining clear from a distance. Keep medium-to-high information density with a three-level reading order: first see composition and subject, second see Chinese title and pattern, third read English, date and auxiliary information. Control the palette to 3–4 main colors, creating tension through scale, cropping, overlap, density and white space. Aim for a mature cultural exhibition poster, editorial design and printed art-publication finish: rich but orderly, with diagonal energy arising naturally rather than from forced diagonal placement. Replacement examples include Echo of Tides with black-and-white organic tide/mineral forms and indigo Moiré concentric sound waves; Folded Scenes in the City with a folded booklet of city pen sketches and mustard map folds plus a faint city road network; Oriental Vessel Rhyme with a large bronze vessel and taotie, cloud-thunder and inscription rubbings extending from its surface; and Night Flight Among Branches with old branches, a black blackbird and large light-ochre plant-leaf rubbings.

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