Galerie de prompts IA OpenZhenZhen · gpt-image-2.5 · image

Affiche culturelle postmoderne aux courbes du Kiyomizu-dera de Kyoto

Kyoto Kiyomizu-dera Postmodern Curvilinear Cultural Poster

Affiche culturelle postmoderne aux courbes du Kiyomizu-dera de Kyoto — découvrez cette création avec gpt-image-2.5 sur OpenZhenZhen, son prompt original et un exemple de génération à réutiliser.

Affiche culturelle postmoderne aux courbes du Kiyomizu-dera de Kyoto — AI image creation
Affiche culturelle postmoderne aux courbes du Kiyomizu-dera de Kyoto

Prompt

Prompt chinois

创建一张 9:16 垂直曲线构图文化展览海报，主题固定为“京都清水寺”。主视觉为京都清水寺的木质舞台、山坡寺院建筑、远景城市层叠和旅行记录中的建筑细节。主标题固定为“清水寺”，英文副标题固定为“Kiyomizu-dera Temple”；地点信息固定为“KYOTO, JAPAN”。 整体视觉语言：当代编辑海报 × 后现代平面设计 × 文化展览海报。只使用一条最强的主曲线，选择“曲面翻折”作为主构图方法：让一张仿佛从旅行档案中展开的纸张或建筑表面形成连续的大弧面，清水寺的屋檐、山路、照片碎片和排版沿同一曲线自然弯曲。曲线是整张海报的视觉骨架和阅读路径，不是装饰。其他线条只能跟随或平衡这条弧线，不要制造第二个视觉中心。 围绕主曲线组织清水寺建筑主视觉、少量黑白建筑摄影、手绘线稿、纸张边缘、票据或地图碎片。所有素材都要沿同一曲线路径形成有秩序的叙事，避免随机贴纸式拼贴。让主标题“清水寺”参与构图：沿弧线拉伸、弯折、局部出框或跨越图像与留白，而不是规整放在顶部。英文副标题“Kiyomizu-dera Temple”作为较小的编辑层级，地点“KYOTO, JAPAN”与少量辅助信息沿曲线排列。 视觉层级必须清晰：第一眼看到主曲线与清水寺主视觉；第二眼看到“清水寺”；第三眼沿曲线阅读“Kiyomizu-dera Temple”、地点和建筑信息；最后才看到小型辅助文字。保留大面积米白留白，允许不对称、裁切、尺度失衡、局部出框和轻微套色偏移。 配色控制在 4 种：朱红色为大面积主色，炭黑为强对比色，米白纸张为留白底色，少量青绿色作点缀。纸张和建筑表面要有可见纹理，排版具有人工手工编排感和艺术出版物气质。不要添加人物、品牌 Logo、水印、无关文字或新的地标。

Prompt anglais

Create a vertical 9:16 cultural exhibition poster with a curve-based composition. The fixed theme is “Kiyomizu-dera Temple in Kyoto, Japan.” The main visual is the wooden stage, hillside temple architecture, layered city distance and archival architectural details of Kiyomizu-dera. The fixed main title is “清水寺”; the fixed English subtitle is “Kiyomizu-dera Temple”; the fixed location line is “KYOTO, JAPAN”. Use the visual language of Contemporary Editorial Poster × Postmodern Graphic Design × Cultural Exhibition Poster. Keep one strongest curve direction and choose “Surface Folding” as the main composition method: a sheet from a travel archive or a bendable architectural surface unfolds into one continuous broad arc, with Kiyomizu-dera eaves, hillside paths, photo fragments and typography bending naturally along the same curve. The curve is the visual skeleton and reading path, not decoration. All other lines must follow or balance it without creating a second visual center. Organize the Kiyomizu-dera architectural key visual, a small amount of monochrome architectural photography, hand-drawn linework, paper edges, ticket fragments and map fragments around the same curve. Build an ordered narrative rather than a random sticker collage. Make the main title “清水寺” participate in the composition by stretching, bending, partially leaving the frame or crossing image and white space along the arc, rather than placing it neatly at the top. Use “Kiyomizu-dera Temple” as a smaller editorial layer and place “KYOTO, JAPAN” with concise supporting information along the curve. Keep a clear hierarchy: first the main curve and Kiyomizu-dera visual; second “清水寺”; third the subtitle, location and architectural information read along the curve; finally the tiny auxiliary copy. Retain generous warm-white negative space and allow asymmetry, cropping, scale imbalance, partial out-of-frame elements and slight color registration shifts. Limit the palette to four colors: vermilion red as the dominant field, charcoal black as the strong contrast, warm-white paper as the negative-space ground and a small amount of muted green as an accent. Show paper and architectural surface texture. The typography should feel manually typeset and suited to an art publication. Do not add people, brand logos, watermarks, unrelated text or additional landmarks.

Voir le modèle API

Découvrir plus de prompts image et vidéo · Générer des images · Générer des vidéos · Créer sur le canevas IA