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Affiche d'exposition d'art contemporain chinois minimaliste : La pluie entre en ville

Minimalist Chinese Contemporary Art Exhibition Poster: Rain Enters the City

Affiche d'exposition d'art contemporain chinois minimaliste : La pluie entre en ville — découvrez cette création avec gpt-image-2.5 sur OpenZhenZhen, son prompt original et un exemple de génération à réutiliser.

Affiche d'exposition d'art contemporain chinois minimaliste : La pluie entre en ville — AI image creation
Affiche d'exposition d'art contemporain chinois minimaliste : La pluie entre en ville

Prompt

Prompt chinois

生成一张高完成度的 9:16 竖版中式极简当代艺术展览海报，准确中文标题为 雨水入城。主题是晚夏雨水从湿地向城市屋脊迁移。融合东方地景留白、现代编辑设计、抽象大色域、纸本艺术和独立出版物视觉。以干净温润的暖象牙白艺术纸为底；用占画面约 45% 至 55% 的矿物绿与靛青色域建立主要情绪。色域具有矿物颜料、水粉、丝网印刷和纸张渗透的细腻质感，边缘自然不规则，保留克制的刷痕、浓淡变化和纸面露白，同时保持干净完整。色域下方或局部穿过色域，安排低矮且部分裁切的墨黑湿地至城市屋脊地景。用弧形鸟群迁徙路径和垂直雨幕引导视线通向远处屋脊。加入克制的微型叙事：芦苇中的小舟、小型鸟群、窄悬桥和少量微型建筑。远看先读到大色域与构图，近看才发现路径、植物、水面、鸟群和建筑。使用高瘦宋体或现代明朝体，将准确中文标题 雨水入城 纵向排版并参与构图；搭配少量优雅的 Serif 英文、日期、FIELD NOTES、观察信息、准确中文题跋 风从湿地向城里吹。、克制的自然手写注记和一枚极小朱砂印记，形成精致的编辑信息层级。大结构清晰，微信息丰富但克制，色彩饱满而受控，留白有意图而不空洞。避免粗糙平涂、廉价矢量感、模板换色、巨大黑山、普通旅行插画、过度古风或过度留白、随机裂纹、脏污黑点、强颗粒、AI 乱码、UI 卡片、标志、水印、画面编号、四角星芒和闪光元素。

Prompt anglais

Create a high-finish vertical 9:16 Chinese minimalist contemporary art exhibition poster titled 雨水入城. The theme is late-summer rain moving from a wetland toward city rooftops. Blend Eastern landscape white space, modern editorial design, abstract large color fields, paper art, and independent-publication graphics. Use clean warm ivory-white art paper as the ground. A mineral-green and indigo color field occupies about 45% to 55% of the frame, with delicate mineral-pigment, gouache, screen-print, and paper-absorption texture; its edges are naturally irregular with restrained brush marks, tonal variation, and exposed paper, but remain clean and complete. Beneath or partly crossing it, arrange a low, partially cropped ink-black wetland-to-city landscape. Use a curved bird-migration path and a vertical rain curtain to direct the eye toward distant rooftops. Add tiny restrained narrative details: a small bird flock, a small boat in the reeds, a narrow footbridge, and a few miniature buildings. The large color field and composition read first from afar; closer viewing reveals paths, plants, water, birds, and architecture. Set the exact Chinese title 雨水入城 vertically in a tall thin Songti or modern Ming typeface so it participates in the composition. Add a small amount of elegant serif English, a date, FIELD NOTES, observation information, the exact Chinese colophon 风从湿地向城里吹。, restrained handwritten annotations, and one tiny cinnabar seal. Keep an exquisite editorial information hierarchy. Clear large structure; rich but restrained micro-information; full yet controlled color; white space that feels intentional rather than empty. Avoid rough flat fills, cheap vector style, formulaic color swapping, huge black mountains, common travel illustration, excessive antique styling or empty space, random cracks, dirty black spots, heavy grain, AI gibberish, UI cards, logos, watermarks, frame numbering, four-pointed stars, and sparkles.

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