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鏡の間の水晶の屈折と影の刃の交鋒

Crystal Refractions in the Hall of Mirrors and the Clash of Shadow Blades

「鏡の間の水晶の屈折と影の刃の交鋒」は MiniMax H3 を使用した作品です。OpenZhenZhen で元のプロンプトと生成例を確認し、創作の参考にできます。

鏡の間の水晶の屈折と影の刃の交鋒 — AI video creation
鏡の間の水晶の屈折と影の刃の交鋒

プロンプト

中国語プロンプト

主体设定:<Subject 1> 是 <Picture 1> 中的女性,保留面孔、金色与红宝石精致发饰、黑色长发、粉色半透明袖、酒紫色刺绣长裙和金色腰带细节。<Subject 2> 是 <Picture 2> 中的男性,保留面孔、鲜红长发、黑色高领衣、带银色配件的皮夹克、黑裤、靴和吊坠。两人都完整保留参考服装。 概述:[参考生成] 在阴暗镜面舞厅,她操控四片漂浮水晶片折射金色光束;他沿连续相连的阴影延伸一柄红边影刃。他将她赶离吊灯的光,她改变晶片角度,在阴影中打开亮路。近身攻势打碎一片晶片,剩余光束折成最后反击;二人在真实落下的碎玻璃间结束交锋。 视觉:哥特黑、酒红和香槟金;光滑舞厅地板、中央吊灯与高大墙镜。镜中可以重复映像,但真实战斗者只有男女二人。她有四件可分辨的晶片;他的影刃是从靴旁阴影延伸的一条连续投影。 [Shot 1] 横扫全景建立吊灯下明亮中央圆区与右侧墙边暗道。<Subject 2> 从暗道踏出,沿连通的黑色地砖把红边影刃低低推向 <Subject 1>。她提起长裙前沿跳向侧面;刃从原站位下掠过,打坏后方镜墙。她右手把四片掌心大小的晶片送出,绕成旋转圆环。一片接住吊灯光,在刀路上投出金色光束;影刃停在突然点亮的光带前。他把刃沿原路收回靴边,不能穿过光带。他本人绕光带冲来;她以小臂接其拳,晶片仍在头顶盘旋。 [Shot 2] 00:05.000 切运动的四分之三视角。他借两人前臂接触把她推向暗墙。影刃只在身旁未照亮的地面再生,向她肩扫去。她转一片晶片挡线,晶片边缘受击、裂开,真实碎片向下掉。只剩三片完整晶片环绕。她另一手倾斜其中两片,把吊灯光折到他前进脚后,切断刃与地面阴影的通路。延伸影刃消失,但他仍以短肘击她防守。她挡住、侧滑入新照亮的路;裙发与饰品仍属于同一身体。碎晶片持续散在墙镜下。 [Shot 3] 00:10.000 切能同时看到吊灯、墙和二人的广景。他踢动地上的一块深背镜片,让它穿过明亮光带;其移动阴影短暂接通暗道,载着一次影刃延伸追向她。她在墙镜反射中察觉、压低身体,让刀切过头顶空气。随即将幸存三片晶片组成三角阵,把吊灯光反到暴露的影刃路线上。刃塌回他的靴边;他收刃并用真实右手前扑。她左掌接其前臂,二人肩间光束爆亮,将双方推开,不虚构第三次撞击。结束时他退进一小片暗处,她守住亮路;三片晶片还在盘旋,碎玻璃还在地上。镜像只可留在镜面,不能有复制人走出来。 声音:大理石上鞋跟声、接触后一次尖锐晶片碎裂、玻璃碎片滑动、丝绸掠声、光影相接处低沉纹理嗡鸣。实际接触前不能预先有碎玻璃声。配乐用疾速哥特弦乐与暗电子打击乐,只有最后一次折光才加入明亮、类似合唱的和弦。

英語プロンプト

subject_definitions: <Subject 1>: The woman from <Picture 1>, preserving her face, ornate gold and ruby hair ornaments, long black hair, pink translucent sleeves, wine-purple embroidered gown and gold belt details. <Subject 2>: The man from <Picture 2>, preserving his face, long vivid red hair, black turtleneck, leather jacket with silver fittings, black trousers, boots and pendant. summary: [reference generation] In a dark mirrored ballroom, <Subject 1> controls four floating crystal panes that refract a golden beam; <Subject 2> extends one crimson-edged shadow blade along connected areas of darkness. He drives her away from the chandelier's light, but she changes the pane angles and opens a lit path through his shadow. Their close attack shatters one pane and refracts the remaining beam into a final counter, leaving both fighters among real falling glass. retention_analysis: <Subject 1>: fully_preserved <Subject 2>: fully_preserved detailed_description: Use gothic black, burgundy and champagne-gold art direction with glossy ballroom floors, a central chandelier and tall wall mirrors. Reflections can repeat their images, but only the woman and man are physical fighters. Her panes are four distinct objects; his blade is one continuous projection from the shadow around his boots. Keep both reference outfits intact. [Shot 1] Begin on a sweeping full shot that establishes the chandelier's bright central circle and the darker lane along the right wall. <Subject 2> steps from the dark lane and drives the crimson-edged shadow blade low across connected black floor tiles toward <Subject 1>. She lifts the front of her long skirt clear of the floor and jumps sideways, the blade passing under her previous step and chipping the mirrored wall behind her. Her right hand sends four palm-sized crystal panes outward in a rotating ring. One pane catches chandelier light and throws a golden beam across the blade's route. The shadow edge stops at the suddenly illuminated strip; he draws it back toward his boots instead of making it pass through the light. He charges physically around the strip, and she meets his incoming fist on her forearm while the panes continue revolving overhead. [Shot 2] At 00:05.000, cut to a moving three-quarter view as he turns their forearm contact into a push that drives her toward the dark wall. The shadow blade regrows only along the unlit floor beside them, sweeping up toward her shoulder. She pivots one crystal pane into the line; its edge takes the blade, cracks and sends a shower of real fragments down. Three unbroken panes remain in orbit. With her other hand she tilts two of them to refract the chandelier beam behind his advancing foot, interrupting the blade's route from its floor shadow. He loses the extended edge, but follows with a short elbow toward her guard. She blocks and slides sideways into the newly lit lane, keeping her skirt and hair ornaments connected to the same body. The broken pane stays scattered under the wall mirror. [Shot 3] At 00:10.000, cut wide enough to retain the chandelier, wall and both fighters. He kicks a fallen dark-backed mirror fragment across the bright strip. Its moving shadow briefly reconnects the unlit lane, carrying one blade extension after her. She sees its approach in a wall reflection, lowers her body and lets it cut the air over her head. Then she brings the three surviving panes into a triangular array and reflects the chandelier light onto his exposed shadow path. The blade collapses back to his boots; he withdraws it and lunges with his real right hand. Her left palm meets his forearm while the beam flares between their shoulders, pushing them apart without inventing a third impact. End with him retreating into a small dark patch and her holding the lit lane, three panes still orbiting and broken glass still on the floor. Reflections remain reflections; no duplicate person steps out of a mirror. overall_soundscape: Use heel strikes on marble, one sharp crystal break, moving glass fragments, silk swishes and a low textured hum where light meets shadow. No dialogue or glass-break sounds before contact. non_diegetic_music: Fast gothic strings and dark electronic percussion with a bright choir-like chord only at the final refraction.

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