OpenZhenZhen AI プロンプトギャラリー · MiniMax H3 · video
彼氏視点・空の額縁から出てくる人
Boyfriend's View: The One Stepping Out of the Empty Frame
「彼氏視点・空の額縁から出てくる人」は MiniMax H3 を使用した作品です。OpenZhenZhen で元のプロンプトと生成例を確認し、創作の参考にできます。
プロンプト
中国語プロンプト
[参考生成] 15秒、16:9、真人写实、男友第一人称眼睛视角，一镜到底。<Subject 1>来自<Picture 1>，始终保留同一成年女性的脸、肤色、深色眼睛及深棕色长发；参考图片只用于身份与明确可见的衣着，不是本片开场帧。自然表演与真实物理，普通话对白按下述原句发声，不出现字幕或文字。 室内15秒，男友坐低椅，眼高约一米，从略低位置看两步外女方；她保持参考椭圆脸、白皙皮肤、深色眼睛及中分深棕长发，穿日常服装。宽大的独立落地肖像画框朝男友，外侧宽脚稳立；中间只有空洞、无画布玻璃，开口宽过她肩、高到成人能走过，底边只是贴地的细低条。框前男友一侧与右边均有通道；镜头同框看清她完整脸、开口和低条，不拍男友膝盖。首帧她双脚都在底条后，双手叠于腰前、肩平稳、视线略越过男友，故意像静止肖像，不先走动。她保持姿态问「要画，还是要人？」男友从坐姿答「要人。」听到选择后她才松开双手，直视他，自行一步跨过真实的低底条，连续穿过画框中间空洞，不穿过木边；两脚落在男友一侧，画框始终站稳。她再向画面右侧小移一步，让整个洞口真正变空，舒适距离处回头看他，作为真实的人而非静态肖像。结尾同一坐姿略仰视，她的脸与空框洞口同框；无切镜造成凭空消失。室内声、两句对白、跨低条与侧移脚步；无旁白、字幕或超自然变身声效。 仅指定人物和物件出现，动作因果与位置连续；男友的脸和身体不入画，只在需要时出现指定的手或鞋。环境声及对白与实际动作同步，无旁白、笑声罐头或额外音乐。
英語プロンプト
subject_definitions: <Subject 1> is the adult woman in <Picture 1>. Preserve her recognizable oval face, fair skin, dark eyes and long center-parted dark-brown hair. Her everyday clothes, open portrait frame, stable outer feet and interior room are new episode elements. <Picture 1> supplies her identity, not an existing portrait or scene. summary: [reference generation] A continuous 15-second, 16:9 live-action story from her seated adult boyfriend's eyes. <Subject 1> holds an intentionally still portrait pose behind a large empty standing frame. Asked to choose between the picture and the person, he chooses her. She releases the pose, crosses through the actual open frame to his side, then shifts aside so the aperture is visibly empty while she looks back at him. retention_analysis: <Subject 1> (appears in [Shot 1]): fully_preserved - her facial identity and hair match the reference. The room, clothes and large freestanding empty frame are invented for this episode. detailed_description: mpov, first-person perspective pov video, low angle. One continuous 15-second 16:9 live-action view from my eyes while I remain seated on a low chair, eyes about one meter above the floor, looking slightly upward to <Subject 1> about two walking steps away. This is my eye position looking at her, never a separate camera in front of a couple. She begins entirely behind a broad freestanding portrait frame that faces me. The rigid frame stands on wide outer feet and stays put; its empty opening is wider than her shoulders and tall enough for an adult to step through. There is no picture, glass or canvas in the opening, and the bottom rail is a thin low strip against the floor. Clear landing space lies just in front of it on my side, with extra clear space to the right of its opening. My natural broad view sees her full face and the opening with its low rail; I do not need to look down at my own knees to establish the low viewpoint. [Shot 1] At the first frame <Subject 1>'s two feet are still behind the low rail. Her hands are folded before her waist, shoulders composed, gaze deliberately just past me: she is holding herself as a motionless portrait, not already walking out. Still in that pose, <Subject 1> (S1) asks, <d>[Chinese] 要画，还是要人？</d> I answer from my own seated position, me (S2), <d>[Chinese] 要人。</d> Only after hearing my choice does she unfold her hands, turn her eyes directly to mine and step forward herself. In one continuous visible passage she crosses the low bottom strip and comes through the empty center of the frame, never through its wooden side. Both feet land on my side while the frame remains standing behind her. She then takes one small step toward the right of my view, enough to clear the entire opening rather than still overlap it. She stops there at a comfortable distance, not pressing up to the lens, and looks back at me as a present person instead of holding the old portrait pose. End in the same gently upward seated eye line with her readable face beside a genuinely empty frame opening; do not cut from a person behind the frame to an unexplained already-empty frame. My viewpoint stays seated throughout; none of my face, torso or large knees enters the image, and there is no outside reverse shot. overall_soundscape: Quiet indoor ambience, her short Mandarin question, my nearby seated answer, one natural step over the low rail and a second small side step. No narration, captions, sound effect or music claiming a supernatural transformation. non_diegetic_music: N/A
テーマとスタイル
画像・動画プロンプトをもっと見る · 画像を生成 · 動画を生成 · AI キャンバスで作成
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