OpenZhenZhen AI プロンプトギャラリー · MiniMax H3 · video
彼氏視点・手ぶらでゴミ捨てに行く
Boyfriend's View: Taking Out the Trash Empty-Handed
「彼氏視点・手ぶらでゴミ捨てに行く」は MiniMax H3 を使用した作品です。OpenZhenZhen で元のプロンプトと生成例を確認し、創作の参考にできます。
プロンプト
中国語プロンプト
[参考生成] 15秒、16:9、真人写实、男友第一人称眼睛视角，一镜到底。<Subject 1>来自<Picture 1>，始终保留同一成年女性的脸、肤色、深色眼睛及深棕色长发；参考图片只用于身份与明确可见的衣着，不是本片开场帧。自然表演与真实物理，普通话对白按下述原句发声，不出现字幕或文字。 公寓电梯内一镜到底，男女站立眼高一致。男友靠左控制板面对已打开的门，左食指从首帧就压住开门键；女方在门外正对他，保持参考身份和长发，穿牛仔夹克、白上衣、深裤，脸和两只空手清楚可见，没袋子，也不把手藏口袋。她说「我下楼扔垃圾。」并稍向门口移重心。男友持续按键，从镜头位置问「垃圾呢？」视线略看她空手再回脸，不俯拍。她停顿、看自己的手，明白借口落空，露出自知的微笑，坦白说「行吧，专门送你。」她边说边自己迈进电梯，在男友前方稍偏侧站稳，双脚完全越过门路。只有这时男友才松开左食指并放下手，电梯门在她身后真实滑合，留有安全空隙；门完全关闭时她仍在电梯里与他相视而笑。男友不拉她，也不出电梯；无突然出现的垃圾。通风、开门时走廊声、三句对白、脚步、按键松开与门滑合声；无楼层播报、字幕或音乐。 仅指定人物和物件出现，动作因果与位置连续；男友的脸和身体不入画，只在需要时出现指定的手或鞋。环境声及对白与实际动作同步，无旁白、笑声罐头或额外音乐。
英語プロンプト
subject_definitions: <Subject 1> is the adult woman in <Picture 1>. Keep her facial identity and long dark-brown hair. A casual denim jacket, white top, dark trousers and this apartment elevator are original episode elements. summary: [reference generation] A 15-second, 16:9 live-action male eye-POV farewell. Empty-handed <Subject 1> claims she is taking the trash downstairs as an excuse to accompany her boyfriend. His simple question exposes her missing trash. She checks her empty hands, drops the excuse and freely admits she is coming just to see him off. She steps into the elevator; he releases the door-open button only after she is safely in, and the doors close behind her. Her companionship remains, but the cover story becomes an openly shared joke. retention_analysis: <Subject 1> (appears in [Shot 1]): fully_preserved - retain the defined identity and hair with new casual clothes and location. detailed_description: mpov, first-person perspective pov video, eye level. Naturalistic live-action, 15 seconds, 16:9, one continuous eye-POV shot inside an apartment elevator. Soft practical light, matte walls without mirrored doubles, no captions. [Shot 1] I stand inside the elevator, close to its left-side control panel, facing the open doorway. My left index finger already presses the door-open button at the near left edge of my field of view. That forearm comes from my camera-position body. <Subject 1> stands just outside facing me at matching standing eye height, wearing a denim jacket, white top and dark trousers. Her complete face and both empty hands are visible together; she has no bag. Her hands rest loosely in front of her hips rather than hiding behind her back or in pockets. The near-side button is within my easy reach, and her short route through the doorway remains clear. At the start, <Subject 1> (S1), a nearby adult female voice, says matter-of-factly, <d>[Chinese] 我下楼扔垃圾。</d> She shifts her weight toward the doorway as if this explains why she is coming along. Keeping the same button pressed, I (S2), an adult male at the camera position, ask, <d>[Chinese] 垃圾呢？</d> My gaze briefly notices her plainly empty hands and returns to her face; this is a small attention shift, not a camera dip that crops her head. No pointing hand or second person enters. She pauses on hearing the question, looks at her own empty hands, then returns her eyes to mine. The earnest excuse has visibly failed. She lets out a small self-aware smile rather than continuing to search or conjuring a bag. <Subject 1> (S1) changes her answer frankly: <d>[Chinese] 行吧，专门送你。</d> She voluntarily walks through the open doorway while finishing this short line. She was already facing me and continues to do so, needing only a small natural adjustment. She settles a little in front of and across from me, both feet safely inside and clear of the doors. I neither pull her nor move out into the corridor. Only after she is completely inside do I lift my left index finger from the button and lower my hand out of view. Show the release followed by the actual doors sliding shut behind her. There is enough space between her body and their path. She keeps looking at me, no longer pretending to be on an errand, with a smile that acknowledges being found out. The doors finish closed and she stays inside. End on their shared look, not another task or a new bag. The shot does not cut away during the entrance or closure. Only my left hand and forearm appear for the button; my face never appears, and the viewpoint never leaves my standing eyes. overall_soundscape: Low elevator ventilation, a little corridor ambience while the doors are open, close alternating female and camera-position male Mandarin speech. Her short footsteps, button release and the mechanical slide and gentle closure of the doors follow their visible actions. No floor announcement, narrator or audience effect. non_diegetic_music: N/A
テーマとスタイル
画像・動画プロンプトをもっと見る · 画像を生成 · 動画を生成 · AI キャンバスで作成
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