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彼氏視点・ヘッドホンでは聞こえなかったのにプリンの音は聞こえた

Boyfriend's View: Didn't Hear Through Headphones, But Heard the Pudding

「彼氏視点・ヘッドホンでは聞こえなかったのにプリンの音は聞こえた」は MiniMax H3 を使用した作品です。OpenZhenZhen で元のプロンプトと生成例を確認し、創作の参考にできます。

彼氏視点・ヘッドホンでは聞こえなかったのにプリンの音は聞こえた — AI video creation
彼氏視点・ヘッドホンでは聞こえなかったのにプリンの音は聞こえた

プロンプト

中国語プロンプト

[参考生成] 15秒、16:9、真人写实、男友第一人称眼睛视角,一镜到底。<Subject 1>来自<Picture 1>,始终保留同一成年女性的脸、肤色、深色眼睛及深棕色长发;参考图片只用于身份与明确可见的衣着,不是本片开场帧。自然表演与真实物理,普通话对白按下述原句发声,不出现字幕或文字。 温暖餐桌两人坐在等高椅上面对面,男友眼线与她平齐,一镜到底。她保持参考面容、长发、黑色细肩带上衣,戴普通包耳耳机;脸、肩和少量桌面始终同框。桌中央只有一杯未开封、无文字盖子的布丁;干净黄色海绵另放在她右手旁,双手开场空闲放桌上。前3秒男友从镜头位置说「该洗碗了。」她看他却故作无辜,轻晃脑袋不回应,像没听见。男友以同样音量说「那布丁我全吃了。」她立刻停止晃头,抢答「给我留一半!」同时自己把同一副耳机降到脖子上,直视男友。男友不碰布丁也不递物品,接着问「碗呢?」她瞄未开的布丁,再看右手边原有海绵,在结尾三分之一时自己右手拿起海绵至脸下胸前,带无奈笑意说「成交。」结尾耳机仍在颈上、布丁仍未打开、她举海绵对视;还不吃也不洗。男友手脸身体不入画,镜头不俯拍布丁。安静餐厅环境、清晰交替对白、微弱耳机漏音和真实耳机海绵摩擦;无旁白、字幕、笑声或配乐。 仅指定人物和物件出现,动作因果与位置连续;男友的脸和身体不入画,只在需要时出现指定的手或鞋。环境声及对白与实际动作同步,无旁白、笑声罐头或额外音乐。

英語プロンプト

subject_definitions: <Subject 1> is the adult woman in <Picture 1>. Preserve her facial identity, long dark-brown hair and black thin-strap top. The reference is for her identity and visible wardrobe only. Headphones, furniture and food props belong to this original scene. summary: [reference generation] A 15-second, 16:9 live-action male eye-POV comedy. <Subject 1> appears unable to hear a request to wash dishes while wearing headphones, but immediately hears that her boyfriend will eat all the pudding. Caught out, she chooses to take the washing-up sponge in exchange for her share. Her active decision, not an explanation, ends the exchange. <Picture 1> supplies her identity. retention_analysis: <Subject 1> (appears in [Shot 1]): fully_preserved - retain her defined face, hair and top. The dining nook, headphones, pudding and sponge are original. detailed_description: mpov, first-person perspective pov video, eye level. Warm natural live-action, 15 seconds, 16:9, one continuous seated eye-POV conversation. No captions, floating text or reverse shots. [Shot 1] I sit directly opposite <Subject 1> at a narrow dining table, both seated on equal-height chairs. Our eyes meet horizontally. Her full face, shoulders and a small strip of tabletop remain in the same composition. She wears ordinary over-ear headphones; her hands are free on the table. A single unopened pudding cup stands near the centre, with a clean yellow sponge lying separately beside her right hand. The pudding has a plain unmarked lid. Both objects are already present and remain easily reachable. There are no visible screens, complicated stacks of dishes or other people. In the opening three seconds, I (S1), an adult male speaking from the camera position, say, <d>[Chinese] 该洗碗了。</d> She looks at me, maintains a deliberately innocent face and continues a small relaxed head sway, choosing not to answer. This is a short beat of apparent non-hearing, not a long silent introduction. Keep her eyes visible; the headphones do not cover her face. I (S1) then say in the same ordinary speaking voice, <d>[Chinese] 那布丁我全吃了。</d> Only after the threat to the pudding does her head sway stop. <Subject 1> (S2), in a clear adult female voice, responds promptly, <d>[Chinese] 给我留一半!</d> As she responds, she uses her own hands to lower the headphones from her ears to rest around her neck. The same headphones remain there, freeing her ears. She looks directly at me with an alert expression that makes the change from her earlier indifference easy to read. I do not reach for the pudding or pass her anything. After she has lowered the headphones and placed her hands back near the tabletop, I (S1) ask, <d>[Chinese] 碗呢?</d> She briefly glances at the untouched pudding, then at the yellow sponge already beside her right hand. During the final third of the shot, she makes her own choice: her right hand takes the sponge from the table and lifts it to lower-chest height, within the frame below her face. <Subject 1> (S2) answers with amused resignation, <d>[Chinese] 成交。</d> For the remaining moment, she holds the sponge and meets my gaze; the unopened pudding remains between us and the headphones remain around her neck. The concrete result is her taking responsibility in return for a share, not a repeated plea or an extra handover. Neither person begins eating or washing before the clip ends. My face, body and hands remain outside the frame; my spoken choice is my participation. The camera stays at her eye line rather than drifting into an overhead view of the cup. overall_soundscape: Quiet dining-room ambience and clearly alternating off-screen male and on-screen female Mandarin dialogue. A faint muffled beat may leak from her headphones without masking words. Subtle headphone and sponge handling sounds accompany their actual movements. No narration or added laughter track. non_diegetic_music: N/A

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