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現代東洋の夢の立体ペーパー彫刻：天門の前に立つ成人女性

Modern Eastern Dream 3D Paper Sculpture: Adult Woman Standing Before the Gate of Heaven

「現代東洋の夢の立体ペーパー彫刻：天門の前に立つ成人女性」は gpt-image-2.5 を使用した作品です。OpenZhenZhen で元のプロンプトと生成例を確認し、創作の参考にできます。

現代東洋の夢の立体ペーパー彫刻：天門の前に立つ成人女性 — AI image creation
現代東洋の夢の立体ペーパー彫刻：天門の前に立つ成人女性

プロンプト

中国語プロンプト

以用户上传的参考图作为主要可见成年女性的面部身份依据，仅提取身份特征，不复制参考图服装或摄影媒介。在不与身份参考冲突的情况下，保留来源的纸雕插画媒介、服装、动作、构图、光线和视觉风格。 创作一张9:16竖幅现代东方梦境立体纸雕艺术图，融合分层剪纸插画、纸艺雕塑、纸艺立体盒景、精细镂空雕刻和史诗东方纸艺幻想。主题是“她站在天门开启之前”：一位约24岁的成年东方女性独自站在通往天际的巨大镂空纸艺神门前。多重门扉在云海与星光中向两侧打开，门后是被冷白天光照亮的未知世界；她已走过很长道路，身体仍朝向前方，却轻轻回头告别旧世界。回眸不是犹豫或悲伤，而是最后看一眼后继续前进。 人物必须明显渺小，仅作情绪锚点与尺度参照；巨门远大于人物并占据画面中上部，门扉从两侧延伸接近或超出画面边界。门中还有门，门后继续出现多层纸艺拱门、天阶、神殿轮廓，形成至少四至六层深度。人物位于下半部中央偏小位置，一只脚踏上更高阶梯，肩腰主要朝前，上半身与头部约三分之二侧后方自然回转，目光越过肩膀，双手一只收住裙摆、另一只自然下垂或侧展；高空风把长发、裙摆和披帛向后吹，保持明确向前动势。 人物黑色长发自然披散，大量发丝吹向左后方，发尾延展为细长星轨状镂空纸带；佩戴浅金星月流苏、小星片和月牙纸艺发饰，不要高耸复杂头冠。穿群青蓝与银白层叠纸艺长裙，内层深群青、外层银白，镂刻星河、月亮、星星、云层和东方几何纹样，局部用浅金纸箔；衣物必须显示纸张厚度、层叠结构、裁切边缘、纤维、折痕和精细镂空。 天门由高耸纸艺门扉、连续内框、巨型镂空门板、云纹、星轨和东方神殿式纸雕构成。门前是一道从画面底部延伸入门内、继续通向远处发光神殿的超长银白纸艺阶梯，近大远小，不能是普通短楼梯。两侧是群青与银白多层卷曲纸云，天空为明亮深群青，带浅金星轨、银白星点、少量月牙和少量白色纸鸟；云层不可遮住天门，星星不要堆满画面。 色彩以群青蓝、银白和冷白为主，少量浅金点缀；指定色值为 #587667、#A5BFBA、#344A43、#C8D5D0、#718888、#E3E7E1。群青要深而明亮，不压成黑；不同区域颜色清晰独立，不要整图统一蓝滤镜。冷白天光从门深处形成全画面最亮核心，沿长阶延伸并在人物侧脸、肩、发、裙摆和披帛边缘形成轮廓光；纸层之间有清晰自然投影，暗部保留群青与淡紫层次，不要死黑。 前景为阶梯、云和人物，中景为第一重天门，中远景为第二、第三重门与云海，远景为冷白光照亮的天宫或神殿。画面像博物馆级巨型东方纸雕装置，具备压迫感、神圣感、仪式感和史诗纵深。不要未成年人、幼态脸、真人摄影、普通动漫、塑料3D、树脂、黏土、毛毡、儿童手工、春节窗花、现代大门、普通建筑入口、短阶梯、人物过大、完全正面、夸张扭身、悲伤哭泣、犹豫感、简单空门、模糊纸边、灰蒙、蓝色糊成一团、材质割裂、手部畸形、额外人物、文字、标志或水印。

英語プロンプト

Use the uploaded reference image as the facial identity reference for the main visible adult woman, extracting identity cues only and not copying the reference clothing or photographic medium. Keep the source papercut illustration medium, wardrobe, action, composition, lighting and visual style unless they conflict with the identity reference. Create a 9:16 vertical modern Oriental dreamscape made from layered papercut illustration, dimensional paper sculpture, paper diorama, shadow-box layers, intricate paper carving and epic Oriental papercraft fantasy. The theme is “She stands before the opening of the Heavenly Gate.” A roughly 24-year-old adult Oriental woman stands alone before a gigantic hollowed paper-art gate leading to the sky. Multiple doors open into a sea of clouds and starlight, revealing an unknown world lit by cold white celestial light. She has come a long way; her body still faces forward while her head turns gently back to bid farewell to the old world. The look-back is neither hesitation nor sadness: she takes one final look and continues forward. Keep the woman obviously tiny, serving as emotional anchor and scale reference only. The Heavenly Gate must be far larger and occupy most of the upper and middle frame, with its sides rising to or beyond the frame boundary. Build doors within doors, layered paper arches, celestial steps and distant temple silhouettes to create at least four to six depth layers. Place the woman small in the lower-center area with one foot stepping onto a higher stair. Keep shoulders and waist mainly forward, upper body and head naturally turned into a restrained two-thirds rear-side look-back; one hand gathers part of the skirt and the other hangs or opens slightly. High-altitude wind blows hair, skirt and streamers backward to preserve forward momentum. Let black hair fall naturally while much of it streams to the rear-left and becomes slender hollowed paper ribbons like star trails. Add light pale-gold star-and-moon tassels, small stars and crescent papercut ornaments, without a tall complex crown. Dress her in a layered ultramarine-blue and silver-white paper-art gown: deep ultramarine inner skirt, silver-white outer pieces, streamers and cut patterns, with galaxies, moons, stars, clouds and Oriental geometry engraved inside and small pale-gold foil lines. Show paper thickness, layered construction, cut edges, fibers, creases and precise perforation. Build the gate from towering papercut doors, continuous inner frames, giant hollow panels, cloud motifs, star trails and Oriental temple-carving structures. A very long silver-white paper staircase runs from the foreground bottom into the gate and onward to a glowing distant temple; use strong near-large/far-small perspective, never a short ordinary stair. Surround both sides with curled multi-layer blue and silver paper clouds. Keep the night sky bright deep ultramarine with pale-gold trails, silver starlight, a few crescents and a few white paper birds. Do not let clouds hide the gate or overcrowd the stars. Use ultramarine blue, silver-white and cold white with small pale-gold accents, including #587667, #A5BFBA, #344A43, #C8D5D0, #718888 and #E3E7E1. Keep blue deep but bright, never black, and keep regional colors distinct rather than applying one blue filter. Cold white celestial light from deep inside the gate must be the brightest core, extending down the stairs as rim light on the figure's face, shoulders, hair, skirt and streamers. Give cut edges soft transmission and clear natural shadows between paper layers; retain ultramarine and light-purple darks, never dead black. Layer the scene as stairs, clouds and figure in front; first gate in midground; second and third gates and cloud sea farther back; and cold-lit palace or temple silhouettes in the distance. Make it a museum-grade giant Oriental paper-carving installation with pressure, sanctity, ritual and epic depth. No minors, juvenile face, live-action photography, ordinary anime, plastic 3D, resin, clay, felt, children's crafts, Spring Festival window grilles, modern gates, ordinary building entrances, short stairs, oversized figure, full frontal turn, exaggerated twist, crying sadness, hesitation, a simple empty gate, blurred paper edges, grey wash, blue mush, disconnected materials, malformed hands, extra people, text, logo or watermark.

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