OpenZhenZhen AI 프롬프트 갤러리 · gpt-image-2.5 · image

무대 뒤에서 조종되는 자아 인형의 무대 초상

Stage Portrait of a Backstage-Operated Self-Puppet

‘무대 뒤에서 조종되는 자아 인형의 무대 초상’은(는) gpt-image-2.5로 만든 작품입니다. OpenZhenZhen에서 원본 프롬프트와 생성 예시를 살펴보고 새로운 창작에 활용해 보세요.

무대 뒤에서 조종되는 자아 인형의 무대 초상 — AI image creation
무대 뒤에서 조종되는 자아 인형의 무대 초상

프롬프트

중국어 프롬프트

Use the uploaded reference image as the facial identity reference for the main visible person. Keep the source scene, styling, clothing, pose, composition, lighting and visual style unless they conflict with the identity reference. 创作一张具有剧场编辑感的写实照片:一位明确成年表演者(25岁以上)站在剧院后台化妆间,双手握着木偶十字控制杆,正在操纵一个代表自己的小型提线木偶。表演者的面部身份由配置参考图ref-10a-v1引导并保持可辨认一致,不承诺完全复制;木偶是同一成年人物的风格化微缩复制品,发型、主要面部轮廓和服装色调与表演者呼应,但材质清楚呈现为木质或布面关节玩偶,不能像第二个真人。细线从控制杆连接到木偶的肩、腕和膝部,走向清楚且不缠绕。表演者以专注而平静的神情低头看向木偶,动作自然、手指结构正确。背景有带灯泡的化妆镜、挂衣架与柔和虚化的舞台幕布,暗示剧院后台而不显杂乱。使用暖色镜前灯与少量冷色舞台侧光形成层次,浅景深突出表演者、控制杆和木偶,保留真实皮肤、木材、布料和提线细节。构图表达表演者与自我复制木偶之间微妙的戏剧关系,克制、诗意且轻微超现实。不要出现额外人物、文字、剧院标志、水印、断裂提线或多余肢体。

영어 프롬프트

Use the uploaded reference image as the facial identity reference for the main visible person. Keep the source scene, styling, clothing, pose, composition, lighting and visual style unless they conflict with the identity reference. Create a realistic theatrical editorial photograph of a clearly adult performer, age 25+, in a theater dressing room backstage, using a hand-held marionette control cross to operate a small puppet that represents themself. Guide the performer's facial identity with configured reference ref-10a-v1 and keep it recognizably consistent without promising an exact copy. The puppet is a stylized miniature of the same adult, echoing hairstyle, broad facial silhouette and clothing colors, but unmistakably made as a jointed wood or fabric doll rather than a second living person. Show fine strings clearly running from the control cross to the puppet's shoulders, wrists and knees without tangling. The performer looks down toward the puppet with a calm, focused expression and natural hand pose. In the softly blurred background, include a bulb-lit dressing mirror, a garment rack and a hint of stage curtain to establish backstage without clutter. Layer warm mirror bulbs with a touch of cool stage-side light; use shallow depth of field to emphasize performer, control cross and puppet while retaining believable skin, wood, fabric and string detail. The composition should suggest a subtle dramatic relationship between a performer and their own miniature double, poetic and slightly surreal but restrained. No extra people, text, theater logos, watermark, broken strings or duplicated limbs.

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