OpenZhenZhen AI 提示词画廊 · MiniMax H3 · video
极地搏斗与客厅现实的无缝匹配剪辑
Seamless Match Cut Between Polar Struggle and Living Room Reality
Generate a 20-second, 16:9 cinematic video. Use the supplied identity reference image to preserve the adult woman’s facial appearance throughout; keep her wilderness outfit as weathered fur and leather, then change to loose indoor home clothes after the match cut. Do not use or request source video
提示词 / Prompt
中文提示词
生成一段20秒、16:9的电影感视频。使用所提供的身份参考图，贯穿全片保持成年女性的面部外观一致；荒野段保持她穿着破旧皮毛与皮革服装，匹配剪辑后换成宽松的居家衣服。不要使用或要求提供源视频或源音频。 0:00–0:09：在强烈日光下的冰冻荒野中进行一镜到底的手持拍摄。风将雪吹过蓝白色冰面，形成锐利的蓝色阴影，并能看见呼吸白气。一名手持剑的女性以绝望的双手求生动作后退，与一头巨大的北极熊搏斗。镜头从远景逐渐推进到中近景，以平视角度沿北极熊跃起的方向移动，呈现28毫米到35毫米的镜头感觉。保持双方身体沉重、清晰且动作连续：北极熊迅速逼近，她站稳、后仰，并始终用刀刃隔在两者之间。采用自然主义电影胶片印调，营造强烈的求生紧张感。声音设计可包含呼啸风声、靴子碾过冰面的声音、低沉兽吼、衣料绷紧声、刀刃划过空气声和雪地刮擦声。 0:09–0:14：不切镜，继续收紧到正面特写。北极熊冲入最后几寸距离，爪子靠近她的肩膀，嘴部占据画面边缘。一名男子先呼唤“Karla……”，随后更尖锐地喊“KARLA”。她疲惫地回应一声“off”，世界随即进入慢动作。雪几乎静止，北极熊悬在攻击姿态中，只有她以正常速度移动，镜头围绕她的脸顺时针环绕。她感到厌烦而非恐惧，丢下剑，双手空着，以一个流畅的打断动作抬向太阳穴。在冻结的荒野中不得出现耳机、面罩或任何设备。为转场保持相同的脸部尺寸、手部高度、头部角度、镜头距离和顺时针漂移。 0:14–0:20：执行无缝的运动中匹配剪辑。当她抬起的双手经过相同屏幕位置时，冻结的近景变成一间朴素而有人生活气息的客厅，保持完全相同的构图和顺时针漂移。直到此刻，VR头显才第一次清晰地戴在她的眼睛上。她抓住两侧，以一个明确的动作将其完整摘下，抬到额头上方，并穿着宽松居家服进入中景。手持环绕继续，露出沙发边缘、散落的毯子、柔和的室内日光和微弱的游戏光。她的姿态变得略带恼火，转向呼唤她的人，向上翻白眼，说：“What is it?” 保持物理连续性、自然主义电影胶片印调，以及开场强烈求生场面之后落地的喜剧感。
English prompt
Generate a 20-second, 16:9 cinematic video. Use the supplied identity reference image to preserve the adult woman’s facial appearance throughout; keep her wilderness outfit as weathered fur and leather, then change to loose indoor home clothes after the match cut. Do not use or request source video or source audio. 0:00–0:09: One continuous handheld shot in a frozen wilderness under hard daylight. Wind drives snow across blue-white ice with sharp blue shadows and visible breath. A lone sword-bearing woman backpedals while fighting a massive polar bear with desperate, two-handed survival movement. The shot moves from a wide shot toward a medium close-up, tracking beside the bear’s leap at eye level with a 28mm-to-35mm feel. Keep both bodies heavy, readable, and physically continuous: the bear closes rapidly as she plants, recoils, and keeps the blade between them. Naturalistic film-print color, visceral survival tension. Sound design may include howling wind, boots grinding ice, a low animal roar, strained cloth, blade cutting air, and snow scraping. 0:09–0:14: Without cutting, tighten to a dead-on close-up as the bear surges into the final inches, claws near her shoulders and jaws at the frame edge. A man’s voice calls “Karla…” and then sharply “KARLA.” She answers with a tired “off,” and the world enters slow motion. Snow nearly freezes and the bear hangs in its strike, while only she moves at normal speed as the camera orbits clockwise around her face. Bored rather than afraid, she drops the sword and raises both empty hands toward her temples in one smooth interrupting gesture. No headset, visor, or device is visible in the frozen wilderness. Preserve the same face size, hand height, head angle, lens distance, and clockwise drift for the transition. 0:14–0:20: Execute a seamless mid-motion match cut. As her rising hands cross the same screen position, the frozen close-up becomes a modest lived-in living room with identical framing and clockwise drift. Only now, for the first time, a VR headset is visibly strapped over her eyes. She grips both sides, pulls it completely off in one clear motion, lifts it above her forehead, and steps into a medium shot wearing loose indoor clothes. Continue the handheld orbit to reveal couch edges, scattered blankets, soft indoor daylight, and a faint game-lit glow. Her posture settles into mild annoyance; she turns toward the caller, rolls her eyes upward, and says, “What is it?” Maintain physical continuity, naturalistic film-print emulation, and grounded comic relief after the visceral opening.
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