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竖版山海经神兽摄影海报

Vertical Classic of Mountains and Seas Mythical Beast Photography Poster

A 9:16 vertical editorial wildlife-photography poster presenting nine Shanhaijing-inspired mythical beasts as believable field-documentation photographs in a disciplined 3x3 magazine grid.

竖版山海经神兽摄影海报 — AI image creation
竖版山海经神兽摄影海报

提示词 / Prompt

中文提示词

制作一张9:16竖版野生动物纪实摄影海报,整体置于深炭灰色#1A1A1A哑光纸质纹理背景。采用严谨的3x3网格,放置9幅独立的高分辨率、超写实长焦野生动物摄影作品,格间用8px黑色缝隙分隔;每格底部约18%高度叠加半透明黑色信息条。整体采用National Geographic式高级野外特刊视觉:真实自然光、可信生态、真实皮毛羽片鳞甲、湿润眼睛、空气透视、自然景深,不要CGI或插画感。顶部刊头必须写SHANHAIJING SPECIAL ISSUE,下方有细金线;其下为中文主标题《山海经·神兽实录》、英文副标题Nine Mythical Beasts Captured in the Wild · A Field Documentation,右上角Vol. 09 / 2026,左上角中文版特辑。9格内容分别为:No.01 九尾狐 / Vulpes Novemcaudata,黎明青丘山竹林薄雾中的白色狐形生物,九条尾巴自然展开,呈Nikon Z9 600mm f/4长焦质感;No.02 凤凰 / Phoenix Sinensis,丹穴山扭曲古松枝上的大型雉科鸟,五色羽毛在逆光晨雾中自然呈现;No.03 麒麟 / Qilin Auspicius,湿润苔石间行走的鹿形、牛尾、马蹄、独角生物,细密鳞甲可信,浅溪水花清晰;No.04 白泽 / Bai Ze Sapiens,森林斑驳光下青苔倒木上的白色狮形猫科生物,额生短角并带克制暗金斑纹;No.05 毕方 / Bi Fang Monopes,火山岩旁单足站立、青羽朱红横纹的涉禽,带柔和橙红岩浆余光;No.06 穷奇 / Qiong Qi Alatus,蓝色暮光雪原上低伏的壮硕翼虎,能看见呼吸雾气和附雪毛发;No.07 鲲鹏 / Kun Peng Magnus,航拍视角下巨型翼鸟掠过灰蓝云海;No.08 蛊雕 / Gu Diao Cornutus,雾中悬崖上的墨黑钢蓝鹰类生物,头顶后弯角质独角,爪握岩石;No.09 朱厌 / Zhu Yan Albicapitus,雨林叶片缝隙中警觉凝视的中型猿类,雪白头部、鲜红四肢远端、深棕躯干。每种生物都必须像真实野外活体,解剖可信,绝不做成奇幻插画。使用暖白与暗金文字,并在底部加入Photography & Documentation: Field Expedition Team、据《山海经》辑录、shanhaijing.field-guide / 2026。每格信息条显示中文名、拉丁名和出处行。整体色彩为炭黑底、暖白、暗金和各栖息地自然克制色,保留真实胶片颗粒、长焦压缩、自然光学虚化与杂志版式秩序。

English prompt

Create a 9:16 vertical editorial wildlife photography poster on a matte charcoal-gray #1A1A1A paper-texture background. Use a disciplined 3x3 grid of nine independent high-resolution super-photorealistic telephoto wildlife photographs, separated by 8px black gaps; each panel has a semi-transparent black information strip occupying about 18% of its lower area. The visual language is a premium National Geographic-style field-documentation special issue: real natural light, credible ecology, physical fur, feathers, scales, wet eyes, atmospheric perspective, believable depth of field, and no CGI or illustration look. Top masthead must read SHANHAIJING SPECIAL ISSUE with a thin gold line beneath; below it place the Chinese title 《山海经·神兽实录》, the subtitle Nine Mythical Beasts Captured in the Wild · A Field Documentation, upper-right Vol. 09 / 2026, and upper-left 中文版特辑. The nine panels are: No.01 九尾狐 / Vulpes Novemcaudata in misty Qingqiu bamboo at dawn, white fox-like body and nine naturally fanned tails, Nikon Z9 600mm f/4 feel; No.02 凤凰 / Phoenix Sinensis on a twisted Danxue Mountain pine branch, naturally colored five-color feathers in backlit dawn haze; No.03 麒麟 / Qilin Auspicius walking through wet mossy stones, deer body, ox tail, horse hooves, one horn, credible fine scales and splashing stream; No.04 白泽 / Bai Ze Sapiens, white lion-like cat with a short horn and restrained dark-gold markings on a mossy log in forest dappled light; No.05 毕方 / Bi Fang Monopes, blue-feathered one-legged wading bird with vermilion bands beside volcanic rock and soft red lava glow; No.06 穷奇 / Qiong Qi Alatus, stocky tiger-like winged beast crouched in snow at blue twilight with visible breath vapor and snow on fur; No.07 鲲鹏 / Kun Peng Magnus, enormous winged bird gliding over a gray-blue cloud sea from an aerial perspective; No.08 蛊雕 / Gu Diao Cornutus, black-and-steel-blue eagle with a backward-curved keratin horn gripping a cliff in mist; No.09 朱厌 / Zhu Yan Albicapitus, medium primate with snow-white head, vivid red distal limbs, and dark-brown body peering through rainforest leaves. Keep every creature anatomically coherent as a living field subject, not a fantasy illustration. Add warm-white and dark-gold typography and the footer Photography & Documentation: Field Expedition Team, 据《山海经》辑录, and shanhaijing.field-guide / 2026. Each panel information strip must show its Chinese name, Latin name, and origin line. Use deep charcoal, warm white, dark gold, and each habitat's natural restrained colors; preserve realistic film grain, telephoto compression, natural optical blur, and magazine layout order.

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