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Музыкальный стоп-кадр и погоня на ночной улице Сеула

Seoul Night Street Music Freeze and Chase

«Музыкальный стоп-кадр и погоня на ночной улице Сеула» — работа с использованием MiniMax H3 на OpenZhenZhen. Изучите исходный промпт и пример генерации для собственных проектов.

Музыкальный стоп-кадр и погоня на ночной улице Сеула — AI video creation
Музыкальный стоп-кадр и погоня на ночной улице Сеула

Промпт

Промпт на китайском

subject_definitions: <Subject 1> 是 <Picture 1> 中的年轻女生,作为目标视频唯一女生的五官与身份基准:她的脸型、眉形、眼型、鼻唇轮廓、肤色、深棕色长直发、小巧耳钉与黑色上衣均需严格一致;目标视频中她穿带裙摆的黑色连衣裙,表情从参考图的微笑改为气怒,但绝不换脸。 summary: [reference generation] 目标视频以 <Picture 1> 作为 <Subject 1> 的五官和身份参考,生成一段20秒第一人称浪漫喜剧片段:女生在首尔韩文招牌街道赌气离开,手机按下播放键后世界定格,镜头环绕并捏脸,音乐停止时她恢复动作追向镜头;全程保持同一女生、不换脸、不出现字幕。 retention_analysis: <Subject 1> (appears in [Shot 1], [Shot 2], [Shot 4], [Shot 5], [Shot 6], [Shot 7], [Shot 8]): fully_preserved - 参考图的五官、脸型、肤色、深棕长发、耳钉和黑色上衣特征全程保留,表情、姿势与拍摄角度按剧情变化,身份始终唯一。 detailed_description: 影片采用第一人称写实浪漫喜剧风格,手持视角贴近人眼,首尔夜街的灯光在密集韩文招牌间闪烁。全片无字幕、无标题,<Subject 1> 的五官严格锁定 <Picture 1>,全程不换脸。 [Shot 1] 正面平视构图中,<Subject 1> (S1) 双手叉腰站在热闹街道中央,深棕长发垂落,黑色连衣裙裙摆轻垂;她眉头紧皱、腮帮鼓起,直视镜头。周围行人正常穿行,韩文招牌层层后退。<Subject 1> (S1) 用气鼓鼓的清晰声音说,<d>[Chinese] 再也不理你了。</d> [Shot 2] At 00:02.000, 第一人称跟拍视角中,<Subject 1> 猛地转身,长发随转身甩动,随即气冲冲迈开大步向前走。镜头贴在她身后跟随,脚步急促,背影占据画面中心,行人依旧在两侧正常移动。 [Shot 3] At 00:04.000, 视角快速下移并切到自己的手部特写:一只手掏出黑色智能手机,屏幕显示音乐播放界面,食指稳稳落下,精准按下白色播放键,伴随清脆的点击声。 [Shot 4] At 00:06.000, 轻快的音乐突然响起,全场时间瞬间暂停。所有路人完全定格,<Subject 1> 迈步前冲的姿势僵在半空,发丝和裙摆都悬停不动,周围车辆与行人也全部静止。 [Shot 5] At 00:08.000, 镜头沿360度环绕轨迹平滑移动半周,从 <Subject 1> 的侧面缓慢绕到她的正前方。全程所有人物和物体保持绝对静止,发丝、裙摆与背景行人没有任何晃动,运镜稳定无抖动。 [Shot 6] At 00:10.000, 第一人称的手缓缓伸入画面,轻轻捏了捏 <Subject 1> 气鼓鼓的脸颊。她的脸颊被捏得微微变形,眉头和眼神依旧保持生气表情,身体与周围人群仍处于定格状态。 [Shot 7] At 00:12.000, 镜头向 <Subject 1> 的脸部平滑推近,形成脸部特写。她鼓着腮帮子,眼神凶狠地瞪着镜头,表情凝固在又气又可爱的状态。 [Shot 8] At 00:13.000, 镜头开始快速向后退,手机里的音乐戛然而止,时间瞬间恢复。<Subject 1> 眼神一怔,随即眉头压得更紧,挥起拳头朝镜头冲来,背景行人也恢复走动。At 00:16.000,她一边逼近一边喊,<d>[Chinese] T8,等你做完教程,看我怎么收拾你!</d> 镜头持续快速后退,她鼓着腮帮追至画面近处,视频在追赶状态中结束。 overall_soundscape: 前两秒充满首尔街道的人声、车流声、脚步声和店铺环境音。手机按键发出清脆点击声;定格瞬间环境声骤然抽空,只剩手机传出的轻快音乐,恢复时人声、脚步、衣料摩擦和急促呼吸一起回来。后退拍摄期间,女生追赶的脚步持续逼近。 non_diegetic_music: N/A

Промпт на английском

subject_definitions: <Subject 1> is the young woman in <Picture 1>, the sole woman's facial and identity reference for the target video. Keep her face shape, eyebrows, eyes, nose and lips, skin tone, long straight dark-brown hair, small stud earrings and black top strictly consistent. In the video she wears a black dress with a flowing skirt. Her smile changes into an angry, pouting expression, but her face and identity never change. summary: [reference generation] Use <Picture 1> to anchor <Subject 1>'s identity in a 20-second first-person romantic comedy. On a Seoul street with Korean signs, she walks away in a huff. Pressing play on a phone freezes the world; the camera moves around her and playfully pinches her cheek. When the music stops, time resumes and she chases the camera. Exactly one woman, no face changes and no subtitles. retention_analysis: <Subject 1> appears in Shots 1, 2 and 4–8. Preserve her reference facial structure, complexion, long dark-brown hair, studs and black top details while expression, posture and angle follow the story; keep one consistent identity. detailed_description: Realistic first-person handheld romantic comedy, close to human eye level. Seoul night-street lights shimmer among dense Korean shop signs. No subtitles or titles; lock <Subject 1>'s face to <Picture 1> throughout. [Shot 1] Frontal eye-level frame. <Subject 1> stands in the middle of the lively street with both hands on hips, dark-brown hair hanging loose and the black dress skirt falling naturally. She frowns, puffs her cheeks and looks directly at the camera. Pedestrians walk normally around her; layers of Korean signs recede into the distance. In a clear annoyed voice she says exactly, <d>[Chinese]再也不理你了。</d> [Shot 2] At 00:02.000, she turns sharply away, long hair swinging, and strides forward angrily. The first-person camera follows close behind. Her back stays central while pedestrians continue to move normally on both sides. [Shot 3] At 00:04.000, the point of view tilts quickly down and cuts to a close-up of the viewer's own hand pulling out a black smartphone. Its screen shows a music player. An index finger lands precisely on the white play button with a crisp click. [Shot 4] At 00:06.000, bright playful music starts and time freezes immediately. All pedestrians stop perfectly. <Subject 1> is suspended mid-stride, with hair and dress hem motionless; nearby vehicles and people are completely still. [Shot 5] At 00:08.000, the camera makes a smooth half-orbit along a 360-degree path, travelling from her side to her front. Every person and object remains absolutely frozen, including hair, skirt and background pedestrians. Stable motion without camera shake. [Shot 6] At 00:10.000, the viewer's first-person hand slowly enters and gently pinches one of <Subject 1>'s puffed cheeks. The cheek deforms slightly under the fingers. Her brows and gaze retain the angry expression, while her body and crowd remain frozen. [Shot 7] At 00:12.000, push smoothly into a facial close-up. Her cheeks stay puffed and her eyes glare fiercely at the camera, her expression frozen between anger and cuteness. [Shot 8] At 00:13.000, the camera rapidly backs away. The music cuts off at once and time resumes. She is startled for an instant, furrows her brows harder, raises a fist and runs toward the lens; background pedestrians begin walking again. At 00:16.000, while approaching, she shouts exactly, <d>[Chinese]T8,等你做完教程,看我怎么收拾你!</d> Keep retreating quickly as she chases close to frame, still puffing her cheeks. End while the chase is in progress. overall_soundscape: For the first two seconds use Seoul street voices, traffic, footsteps and shops. The phone button clicks sharply. When time freezes, environmental sound vanishes and only the upbeat music from the phone remains. On resumption, voices, footsteps, clothing movement and quick breathing return, with her chasing steps drawing closer as the camera retreats. non_diegetic_music: N/A. The music in the frozen interval comes from the phone within the scene.

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