Галерея ИИ-промптов OpenZhenZhen · MiniMax H3 · video
Монтаж из двадцати кадров с деталями персонажа и первым показом лица
Twenty-Shot Character Detail Montage and First Face Reveal
«Монтаж из двадцати кадров с деталями персонажа и первым показом лица» — работа с использованием MiniMax H3 на OpenZhenZhen. Изучите исходный промпт и пример генерации для собственных проектов.
Промпт
Промпт на китайском
使用 @[character reference] 保持角色身份、解剖、服装、颜色、材质与视觉风格。身体区域描述按实际解剖适配：没有的结构换成现有等价部位，不新增解剖或配饰；标志性插入镜头选择最易识别细节。刚性部件旋转，柔性材料弯伸。 15秒角色细节蒙太奇，恰好20镜，硬切连接。空白无缝暖白影棚，柔方向光显示表面。1–19镜严格紧裁身体细节和背面角度，脸、眼、侧脸及其反射完全不入镜。20镜是首次且唯一露脸。无全身镜头。 动作三段连贯：突然转头并身体支撑；蜷臂展开有力横扫与扭身；短迈一步后站稳旋转、突然看镜头。跨切保留动作状态，不重置中立姿态。现有头发、衣服、附件自然响应，动作持续、关节和重心清晰。 跨远距离身体区域跳切，短视觉冲击与较长动态材质阅读混合。除4、11固定机位、速度由角色提供外，每镜一次突发运镜。高度/角度/方向变化，短刹便于阅读时角色继续动。局部甩镜仍紧裁，区域更换用硬切。选择形状或方向匹配，不变形过渡。实时，不慢动作或定格。 0–3秒，1–5镜：1极近上背，急推捕捉表面移动，转头在裁切上方发生；2手指，向下短甩抓住握拳支撑；3后侧三分之四肩部，紧弧运镜抓肩后收；4固定地面脚细节，支撑脚站稳、抬起的脚跟压实而不迈步；5后颈，短上仰抓住颈后伸展，停在后脑下方，排除下颌和脸。 3–9秒，6–13镜：6标志性上身，快速斜移抓臂内收时现有缝线/关节/轮廓响应；7肘，锐利横跟抓折叠收紧；8从弯肘硬匹配切到同角膝，短降抓支撑腿压缩；9腕，浅快速环绕抓外转启动释放；10上胸，短急推抓手臂在裁切外推出、胸部打开，稍长阅读；11固定手部，手指弹开、手快速扫过，离框前清晰看到一次展开；12上背，锐利横移延续屏幕方向，肩滚动、躯干扭转；13标志腰/躯干，近斜移抓现有折痕拉紧或附件摆动，清晰呈现材质运动。 9–13秒，14–19镜：14另一腿大腿，突发低跟抓扭身后的唯一步短迈；15前进脚，短下甩看清落地接触；16踝和小腿，快侧移抓落地腿承重和踝屈；17腰，紧环绕抓站稳脚支撑的旋转，脚不滑；18后脑轮廓，短横甩抓回头开端，永不露侧脸；19标志肩，锐利斜移抓头转下方的跟随，头完全在裁切上方，动作峰值切。 13–15秒，20镜：硬切正面脸特写，角色快速完成看向镜头的转头。爆发短推首次完整清楚露脸，收紧在五官被裁掉前停止。直视落定，头发衣服和身体跟随仍有生命；全脸保持清晰直到结束，动态收尾，不持静态姿势或另切。无新增道具、景物、文字、叠图或分屏。
Промпт на английском
Use @[character reference] for the character's identity, anatomy, costume, colors, materials and visual style. Adapt body-region cues to its actual anatomy, replacing absent features with existing equivalents. Invent no anatomy or accessories. Select signature inserts from its most recognizable details. Rigid parts rotate; flexible materials bend or stretch. A 15-second character-detail montage: exactly 20 shots joined by hard cuts. An empty, seamless warm-white studio background; soft directional light reveals the surfaces. Shots 1-19 are tightly cropped body details and rear angles: keep the face, eyes and facial profile entirely outside the frame, including reflections. Shot 20 is the first and only face reveal. No full-body view. Three connected bursts: a sharp head turn with the body bracing; a coiled arm opening into a strong sweep and torso twist; one short step into a planted pivot, finishing with a sudden look into camera. Carry body state across cuts without resetting to neutral. Existing hair, clothing and attachments react naturally. Keep the character active, with clear articulation and weight shifts. Jump between distant body regions. Mix brief visual punches with longer moving-detail reads. Use one abrupt camera move per shot except locked-camera inserts 4 and 11, where the character supplies the speed. Vary height, angle and direction. Brake moves briefly for legibility while the subject keeps moving. Local whips stay tightly cropped; changes of body region use hard cuts. Connect selected cuts through similar shapes or motion vectors, without morphing. Real-time action, no slow motion or freeze frames. 0-3s, shots 1-5. A concealed head turn triggers the first burst: 1. Extreme upper-back detail: a crash push catches its surface shifting as a sharp head turn begins entirely above the crop. 2. Fingers: a short downward snap catches them curling into a fist as the body braces. 3. Rear three-quarter shoulder detail: a tight camera arc catches the shoulder drawing back behind the turning head. 4. Locked floor-level foot detail: the grounded support foot braces, its raised heel pressing down firmly without taking a step. 5. Rear neck detail: a short upward tilt catches the nape stretching with the turn; stop below the back of the head, keeping the jaw and face excluded. 3-9s, shots 6-13. The coiled arm opens into a forceful sweep: 6. A signature upper-body detail: a fast diagonal slide catches an existing seam, joint or distinctive contour responding as the arm draws inward. 7. Elbow: a sharp lateral track catches the folding joint tightening the arm's coil. 8. Supporting knee: hard match cut from the bent elbow to the knee's similar angle; a short camera drop catches the leg compressing under the same preparation. 9. Wrist: a quick shallow orbit catches it turning outward to initiate the release. 10. Upper chest: a short punch-in catches the chest opening as the arm drives outward beyond the crop. Let this moving surface read slightly longer. 11. Locked hand detail: fingers spring open and the hand sweeps rapidly across the fixed frame. Catch one crisp, readable phase of the spread fingers before they leave the crop. 12. Upper back: a sharp sideways slide continues that screen direction as the shoulder rolls through the sweep and the torso twists. 13. A distinctive torso or waist detail: a close diagonal move catches its physical response to the twist, such as an existing fold pulling taut or an attached piece swinging. Give the material response a clear moving read. 9-13s, shots 14-19. One short step and a pivot build toward the reveal: 14. Thigh of the other leg: an abrupt low tracking move catches it driving the single short step out of the twist. 15. Advancing foot: a brief downward whip catches it landing; show clear floor contact. 16. Ankle and lower-leg detail: a fast side slide catches the landed leg accepting weight as the ankle flexes. 17. Waist: a tight orbit catches the torso rotating above the planted-foot pivot. The foot supports the turn rather than sliding across the floor. 18. Back-of-head contour: a short lateral whip catches the start of the return turn from behind. Keep only the rear contour in frame, never the facial profile. 19. A signature shoulder detail: a sharp diagonal slide catches its follow-through beneath the turning head, which stays completely above the crop. Cut at the peak of this movement. 13-15s, shot 20. First face reveal: 20. Hard cut to a frontal face close-up as the character sharply completes the turn toward the lens. An explosive short push reveals the entire face clearly for the first time and stops tightening before cropping out its features. Direct eye contact lands while hair, clothing or natural body follow-through remains alive. Keep the whole face readable through the end; finish on living motion, without a held pose or another cut. No added props, scenery, text, graphic overlays or split screens.
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