Галерея ИИ-промптов OpenZhenZhen · MiniMax H3 · video
Взгляд парня: обещал защитить, но спрятался первым
Boyfriend's View: Promises to Protect, But Hides First
«Взгляд парня: обещал защитить, но спрятался первым» — работа с использованием MiniMax H3 на OpenZhenZhen. Изучите исходный промпт и пример генерации для собственных проектов.
Промпт
Промпт на китайском
[参考生成] 15秒、16:9、真人写实、男友第一人称眼睛视角，一镜到底。<Subject 1>来自<Picture 1>，始终保留同一成年女性的脸、肤色、深色眼睛及深棕色长发；参考图片只用于身份与明确可见的衣着，不是本片开场帧。自然表演与真实物理，普通话对白按下述原句发声，不出现字幕或文字。 男女坐在L形沙发转角相邻等高座位，共看画外恐怖电影；男友坐姿眼高与她双眼水平。她保持参考脸、长发、黑色细肩带上衣，胸前抱锈红色靠垫。中景始终见她完整面容、肩膀与靠垫；男友右前臂自然搁在两人之间的软坐垫上，从画面下角连接，左手及身体不入画。柔和电视光与暖侧灯。前3秒她从电影转眼看他，自信微笑说「你怕就抱我。」再看电视；男友沉默、手臂不示意。电视传出一次突然敲击，她一惊，举靠垫挡脸；声过后放到腿上，露出整张脸，发现男友正看她。短暂尴尬后承认「刚才那句，不算。」说完才主动握住男友原本搁着的右前臂，轻靠过去；男友不用举手等她。结尾她继续握着前臂，看电影再偷瞄男友，忍不住笑；不出现第二次惊吓。低声室内及非语言电影声、一次敲击、布料声和两句对白；无新增对白、字幕或音乐。 仅指定人物和物件出现，动作因果与位置连续；男友的脸和身体不入画，只在需要时出现指定的手或鞋。环境声及对白与实际动作同步，无旁白、笑声罐头或额外音乐。
Промпт на английском
subject_definitions: <Subject 1> is the adult woman in <Picture 1>. Preserve her facial identity, long dark-brown hair and black thin-strap top. The image supplies identity and visible clothing, not the sofa or opening pose. summary: [reference generation] A 15-second, 16:9 live-action male eye-POV scene. Watching a frightening movie together, <Subject 1> confidently offers to protect the viewer, then hides behind a cushion at a sudden noise. She retracts her boast and chooses to hold his already-resting forearm for comfort. <Picture 1> supplies her identity. retention_analysis: <Subject 1> (appears in [Shot 1]): fully_preserved - retain the defined face, hair and top. The living room, sofa, cushion and television lighting are original scene elements. detailed_description: mpov, first-person perspective pov video, eye level. Natural live-action, soft television light and a warm side lamp, 15 seconds, 16:9. One continuous seated eye-POV shot, without text or captions. [Shot 1] I sit with <Subject 1> at the inside corner of an L-shaped sofa, on adjacent seats of equal height. I turn my head toward her. Our eyes are level: her eyes look straight into mine, not upward. The medium framing includes her entire face, shoulders and the rust-coloured cushion she holds against her chest. The television is off-screen just to the side of our shared viewing direction. My right forearm rests quietly on the soft seat between us, connected to the lower corner of the image. It is within her easy reach. My left hand and the rest of my body are outside the frame. During the opening three seconds, she looks from the movie to me. With easy confidence, <Subject 1> (S1) says in a clear adult female voice, <d>[Chinese] 你怕就抱我。</d> She gives a small assured smile and turns her attention back toward the television. I remain silent; the resting forearm does not gesture. One sudden knocking impact comes from the television. Hearing it, she flinches and raises the cushion in front of her face. When the sound passes, she lowers it onto her lap, revealing her whole face. She discovers that I am watching her. The earlier confidence subsides; after a brief embarrassed pause, <Subject 1> (S1) admits, <d>[Chinese] 刚才那句，不算。</d> Once she finishes, she reaches directly for my resting forearm and closes her hand around it. I do not lift a hand for her to chase or wait for her to accept an offer. The cushion rests on her lap while she chooses the nearby support and leans slightly toward me. The touch remains gentle and physically connected to my arm at the lower image edge. In the final seconds, still holding my forearm, she looks toward the movie again, then steals one small glance back at me, trying and failing to suppress a smile. End on this changed relationship rather than a second scare. Her full face remains unobstructed. My viewpoint stays at her seated eye level; only my same resting right forearm and hand can appear, never my face, torso or left hand. overall_soundscape: Low living-room ambience and faint nonverbal movie sound. One isolated knocking impact occurs before she hides behind the cushion. Soft fabric movement and her two short lines; no further dialogue, loud scare or audience laughter. non_diegetic_music: N/A
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