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Промпты для дизайна обложки романа в литературно-кинематографическом стиле

Literary Cinematic Novel Cover Design Prompts

«Промпты для дизайна обложки романа в литературно-кинематографическом стиле» — работа с использованием gpt-image-2.5 на OpenZhenZhen. Изучите исходный промпт и пример генерации для собственных проектов.

Промпты для дизайна обложки романа в литературно-кинематографическом стиле — AI image creation
Промпты для дизайна обложки романа в литературно-кинематографическом стиле

Промпт

Промпт на китайском

先理解以下小说信息，再设计一张原创小说封面：小说名称为“未命名小说”，小说类型为“文学小说”，一句话故事梗概为“两个人在一场未解决的冲突中重新相遇”，主要人物与关系为“两位关系复杂的主角”，核心冲突为“选择与和解之间的矛盾”，故事发生地为“一座雨中的城市”，关键场景为“雨夜街角的重逢”，关键物件为“一封未寄出的信”，核心情绪为“克制的思念与悬而未决的希望”，作者名为“作者名”，封面宣传语为“故事正在发生”，主色调为“深蓝、灰白与一点暖金”。不要只根据书名随机生成；先从故事提炼最核心情绪、代表性场景、暗示剧情的人物关系或物件、主色与辅助色，以及对应题材的字体和排版语言。以关键场景作为全幅背景，使用真实摄影感、文学感和电影感结合的视觉方式，建立明确的前景、中景和远景，并通过人物背影、玻璃倒影、雨水、灯光、建筑、道路、交通工具或关键物件加入克制但可感知的叙事线索。封面不能只是漂亮风景，也不要直接讲完剧情；要让读者感到故事正在发生，并对人物关系或冲突产生好奇。根据画面结构自然安排书名位置，不固定在同一侧；中文书名是主要视觉，英文副标题或拼音可选，作者名和宣传语为次级信息，少量小说类型或出版信息可作为辅助。字体可使用手写体、宋体、无衬线体或其他匹配题材的字体，文字要与建筑透视、道路、人物、光线或留白自然结合，不能简单覆盖。不同故事必须根据内容生成不同场景、构图、配色、字体和情绪。最终只生成一张独立完整的 2:3 竖版小说封面，不要拼图、九宫格、书籍样机或展示场景；保证指定文字清晰可读、无乱码、无额外水印。

Промпт на английском

First understand the novel information, then design one original novel cover: novel name “未命名小说”, genre “文学小说”, one-sentence summary “两个人在一场未解决的冲突中重新相遇”, main characters and relationships “两位关系复杂的主角”, core conflict “选择与和解之间的矛盾”, story location “一座雨中的城市”, key scene “雨夜街角的重逢”, key object “一封未寄出的信”, core emotion “克制的思念与悬而未决的希望”, author name “作者名”, cover slogan “故事正在发生”, and main color tone “深蓝、灰白与一点暖金”. Do not generate a random image from the title alone. Extract the core emotion, representative scene, plot-implying relationships or objects, main and supporting colors, and typography language appropriate to the genre. Use the key scene as a full-frame background and combine realistic photography, literary feeling, and cinematic direction. Build clear foreground, midground, and background depth, adding restrained but perceptible narrative clues through silhouettes, glass reflections, rain, light, buildings, roads, vehicles, or key objects. The cover must not be merely a beautiful landscape and must not explain the entire plot; it should make the reader feel the story is happening and wonder about the relationships or conflict. Place the book title according to the visual structure rather than fixing it to one side. Make the Chinese title the primary visual; an optional English subtitle or pinyin, author name, cover slogan, and a small amount of genre or publishing information are secondary. Use handwritten, Songti, sans-serif, or other genre-matched typography, integrating text with architectural perspective, roads, figures, light, or negative space rather than simply overlaying it. Let different novels naturally produce different scenes, compositions, palettes, fonts, and emotions. Generate only one complete independent vertical 2:3 novel cover; do not create a collage, nine-square grid, book mockup, or display scene. Keep all supplied text crisp and readable, with no garbled text and no extra watermark.

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