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Перевёрнутый восточный небесный дворец над морем облаков

Inverted Eastern Heavenly Palace Above a Sea of Clouds

«Перевёрнутый восточный небесный дворец над морем облаков» — работа с использованием gpt-image-2.5 на OpenZhenZhen. Изучите исходный промпт и пример генерации для собственных проектов.

Перевёрнутый восточный небесный дворец над морем облаков — AI image creation
Перевёрнутый восточный небесный дворец над морем облаков

Промпт

Промпт на китайском

创建一幅 16:9 横向电影感东方仙界环境场景。神界建筑文明悬浮在无尽云海之上，整幅画面只围绕一个空间命题：一整座巨大的皇家天阙倒悬在天空中，像人工山脉一样向下垂落。采用精致电影级哑光绘景与照片级幻想环境质感，整体为灰蓝暮霭风格。 摄影机站在高空白玉露台内部，位于接近人眼高度的位置，使用 35mm 环境镜头平视略微仰拍。不要航拍或鸟瞰。左侧近景由巨大深朱红漆柱、油润深木梁架和被画框裁切的墨青重檐强烈遮挡；右侧由半透明青玉屏与雕花白玉栏板形成第二层框景。 中景是宽阔空旷的皇家白玉露台，抛光玉面映出冷灰天空。露台尽头静静站着三位极小且无法辨认的守望者，只占画面高度约 1%，仅作为尺度参照，不建立第二视觉主体。露台外立即坠入没有地面的云海断层。远方只展示部分倒悬天阙大陆：倒悬重檐、巨型斗拱、白玉悬台、深木柱林、墨青琉璃屋顶和向下延伸的宫基。至少一半建筑被雾层、云幕、近景檐口和画框遮挡或裁切；上方连接结构消失在天空之外，下方末端逐渐融入淡蓝灰云汽。 约 80% 画面由灰蓝天空、蓝灰云海、冷色空气和深青灰结构阴影控制。使用深朱红漆、深木、白玉、青玉、墨青琉璃和极少量局部鎏金边缘。右上方柔和方向光穿过云层，只在倒悬飞檐和梁架边缘形成少量琥珀轮廓光。近景细节清晰，中景适中，远景体块简化为深灰蓝轮廓。保持庄严静止、深层大气透视、发光象牙色雾气和人工地貌般的宏伟感。不要残破建筑、拥挤宫城、第二视觉主角、科幻飞船、文字、logo 或水印。

Промпт на английском

Create a 16:9 horizontal cinematic environment scene in an oriental celestial realm. A divine architectural civilization hangs above an endless sea of clouds, with a single spatial proposition: one massive royal celestial palace is suspended upside down like an artificial mountain range descending from the sky. Use a refined cinematic matte-painting and photorealistic fantasy-environment approach with gray-blue mist. The camera stands inside a high-altitude white-jade terrace at human eye height, using a 35mm environmental lens and looking straight ahead with a slight upward angle. Do not use an aerial or bird's-eye view. The left foreground is strongly obscured by a huge deep-vermilion lacquer pillar, oily dark-wood beams and dark-green double eaves cropped by the frame. The right foreground adds a translucent green-jade screen and carved white-jade balustrade. The middle ground is a wide, empty royal white-jade terrace reflecting the cold gray sky. Three tiny indistinct guardian silhouettes stand quietly at its far end and occupy about 1 percent of the image height; they are background scale cues, not a second subject. Beyond the terrace is a groundless cloud-sea fault. In the distance, show only part of the inverted palace-continent: upside-down eaves, giant dougong brackets, suspended white-jade platforms, deep-wood pillar forests, dark-green glazed roofs and vertically descending foundations. At least half of the architecture is hidden or cropped by mist, cloud curtains, foreground eaves and the frame; the upper connection disappears beyond the sky and the lower ends dissolve into pale blue-gray cloud. Let about 80 percent of the frame be gray-blue sky, blue-gray cloud sea, cool air and deep blue-gray structural shadows. Use deep-vermilion lacquer, dark wood, white jade, green jade, dark-green glazed tiles and very limited local gilded edges. Soft directional light from high right passes through cloud and creates only a small amber rim on the inverted eaves and beams. Keep foreground details clear, middle distance moderate and far volumes simplified into deep gray-blue outlines. Preserve solemn stillness, deep atmospheric layering, luminous ivory mist and a monumental artificial-terrain feeling. No ruined architecture, crowded palace city, second visual protagonist, sci-fi spacecraft, text, logos or watermarks.

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