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Минималистичный вертикальный постер-коллаж с городскими достопримечательностями

Minimalist City Landmark Collage Vertical Poster

«Минималистичный вертикальный постер-коллаж с городскими достопримечательностями» — работа с использованием gpt-image-2.5 на OpenZhenZhen. Изучите исходный промпт и пример генерации для собственных проектов.

Минималистичный вертикальный постер-коллаж с городскими достопримечательностями — AI image creation
Минималистичный вертикальный постер-коллаж с городскими достопримечательностями

Промпт

Промпт на китайском

城市：Tokyo 主要地标：Tokyo Tower 其他地标：Senso-ji, Shibuya Crossing, Tokyo Station, Skytree and Ueno Park 字体颜色：vermilion red 前景细节：cherry blossoms 国家：Japan 创作一张 9:16 的垂直城市海报，使用来自 Tokyo 的标志性地标。 将每个地标视为独立的建筑拼贴元素，而不是真实的街道场景。使用极端的虫眼视角将地标放置在框架边缘，它们的形态向天空中心升起并汇聚。 以 Tokyo Tower 作为中心垂直锚点，使其成为构图中最完整且最具辨识度的结构。将 Senso-ji, Shibuya Crossing, Tokyo Station, Skytree and Ueno Park 布置在左上、右上、左下和右下边缘。使它们在靠近框架边缘处变大，并向中心逐渐变窄，创造出强烈的放射状向上移动构图。不要遵循真实的地理位置，目标是通过地标重建 Tokyo 的视觉身份。 在建筑背后，以巨大的超高压缩无衬线字体放置城市名称“Tokyo”。字母应占据图像约45–60%，部分隐藏在地标背后，同时保持清晰可读。字体保持整洁、稳实和锋利，不要有磨损纹理、裂纹或破旧效果。 使用受限的三色系统：暖米白色纸张背景、木炭色或灰色调建筑、以及用于城市名称的 vermilion red 强调色。使用真实的建筑摄影效果渲染地标，然后添加微妙的复古社论印刷纹理、细颗粒、半色调和纸张纹理。 在底边添加与 Japan 或 Tokyo 相关的 cherry blossoms，保持轻微模糊且仅占5–10%，以营造深度和当地氛围。 核心视觉公式：标志性地标 + 极端低角度视角 + 放射状汇聚 + 巨大城市字体 + 有限颜色 + 微妙前景深度。

Промпт на английском

CITY: Tokyo MAIN LANDMARK: Tokyo Tower OTHER LANDMARKS: Senso-ji, Shibuya Crossing, Tokyo Station, Skytree and Ueno Park TYPE COLOR: vermilion red FOREGROUND DETAIL: cherry blossoms COUNTRY: Japan Create a 9:16 vertical city poster using iconic landmarks from Tokyo. Treat each landmark as an independent architectural collage element rather than a realistic street scene. Place the landmarks around the edges of the frame using an extreme worm's-eye perspective, with their forms rising and converging toward the center of the sky. Use Tokyo Tower as the central vertical anchor and keep it the most complete and recognizable structure in the composition. Arrange Senso-ji, Shibuya Crossing, Tokyo Station, Skytree and Ueno Park around the upper-left, upper-right, lower-left and lower-right edges. Make them large near the frame edges and gradually narrower toward the center, creating a strong radial, upward-moving composition. Do not follow real geographic positions; reconstruct the visual identity of Tokyo through its landmarks. Behind the architecture, place the city name “Tokyo” in huge ultra-tall condensed sans-serif typography. Let the letters occupy around 45–60% of the image, partially hidden behind the landmarks while remaining clearly readable. Keep the city-name typography clean, solid and sharp, with no distressed texture, cracks or worn lettering. Use a limited three-color system: warm off-white paper background, charcoal or grayscale architecture, and vermilion red as the strong accent color for the city name. Render the landmarks with realistic architectural photography, then add subtle vintage editorial print texture, fine grain, halftone and paper texture. Add a small blurred cherry blossoms connected to Japan or Tokyo along the lower edge. Keep it to around 5–10% of the image to create depth and local atmosphere. Core visual formula: iconic landmarks + extreme low-angle perspective + radial convergence + giant city typography + limited colors + subtle foreground depth.

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