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Сон современной восточной женщины о Западном озере в технике объёмной бумажной скульптуры

Modern Oriental Woman's West Lake Dream in 3D Paper Sculpture Art

«Сон современной восточной женщины о Западном озере в технике объёмной бумажной скульптуры» — работа с использованием gpt-image-2.5 на OpenZhenZhen. Изучите исходный промпт и пример генерации для собственных проектов.

Сон современной восточной женщины о Западном озере в технике объёмной бумажной скульптуры — AI image creation
Сон современной восточной женщины о Западном озере в технике объёмной бумажной скульптуры

Промпт

Промпт на китайском

将上传的参考图用于主要可见成年女性的身份依据；在不与参考图冲突的情况下，保留纸艺场景与整体风格。 创作一幅现代东方 3D 立体剪纸梦境，采用 9:16 竖向构图。主题是“她在西湖尽头等风经过”。一位约 24 岁的成年女性以较小比例安静站在纸雕湖桥或水岸平台尽头，背对或半侧背对镜头，面向湖面与远山。她留半披半挽的黑色长发，发尾化为柳枝般的纸带，佩戴浅金小花和叶片发饰；穿湖青与月白层叠纸艺长裙，裙摆带荷叶、水纹和远山镂空纹样。长发与披帛随湖风轻轻向后流动。 所有元素统一为圆窗窥梦式、博物馆级层叠纸雕：真实纸张纤维与厚度、手工裁切边缘、镂空花纹、边缘透光、轻微折痕和层叠投影。以大面积湖面和充足留白为主要画面。近景为纸雕栏杆、荷叶荷花、台阶和月洞框景；中景为湖面、西湖断桥、亭阁和小比例人物；远景为朦胧江南远山、柳枝、飞鸟、云层和极小船只。保持“湖面—断桥—远山”的开阔空灵纵深。 使用湖青、月白、嫩绿、浅金和少量藕粉。侧上方加入柔和晨光、湖面反射光和纸层边缘透光。色彩清透、明亮、优雅，略微饱和但不艳俗、不脏、不灰、不整体偏黄。建筑、水面、植物、云层和人物都必须使用同一套层叠纸艺语言。避免写实摄影、普通新中式插画、塑料 3D、树脂、黏土、毛毡、纸层混乱、人物过大、普通旅游海报感、杂乱元素、文字、标志和水印。

Промпт на английском

Use the uploaded reference image as the identity reference for the main visible adult woman; preserve the paper-art scene and styling unless they conflict with the reference. Create a modern Oriental 3D paper-cut dreamscape in a 9:16 vertical composition. The theme is “She is waiting for the wind to pass at the end of West Lake.” Show one adult woman of about 24 standing small and quietly at the end of a paper-carved lake bridge or shore platform, seen from behind or in half profile as she looks toward the lake and distant mountains. Give her half-up long black hair that becomes willow-like paper ribbons, light-gold flower and leaf ornaments, and a lake-cyan and moon-white layered paper-art dress with lotus, water-ripple, and mountain cutouts. Let her hair and sash flow gently in the lake breeze. Build the entire scene as a coherent circular-window dream and museum-grade layered paper sculpture: real paper fibers and thickness, hand-cut edges, hollow patterns, translucent edges, slight creases, and layered shadows. Use a broad lake surface and generous negative space as the main field. Foreground: paper railings, lotus leaves and flowers, steps, and a moon-gate frame. Middle ground: lake, West Lake Broken Bridge, pavilions, and the small figure. Background: hazy Jiangnan mountains, willow branches, birds, cloud layers, and a tiny boat. Keep the lake–bridge–mountain depth open and ethereal. Use lake cyan, moon white, tender green, light gold, and a small amount of lotus pink. Add soft morning light from above and the side, with lake reflection and translucent paper edges. Keep the palette clear, bright, elegant, and slightly more saturated without becoming gaudy, dirty, gray, or uniformly yellow. All architecture, water, vegetation, clouds, and the woman must share the same layered paper-cut language. Avoid photorealism, ordinary new-Chinese-style illustration, plastic 3D, resin, clay, felt, messy layers, an oversized character, generic tourism-poster treatment, clutter, text, logos, and watermarks.

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