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Постер с висящими бумажными карточками о путешествиях по рельефу

Hanging Paper Card Terrain Travel Memory Poster

«Постер с висящими бумажными карточками о путешествиях по рельефу» — работа с использованием gpt-image-2.5 на OpenZhenZhen. Изучите исходный промпт и пример генерации для собственных проектов.

Постер с висящими бумажными карточками о путешествиях по рельефу — AI image creation
Постер с висящими бумажными карточками о путешествиях по рельефу

Промпт

Промпт на китайском

图1是为travel_photo生成的配套素材，作为本次编辑工作流对应位置实际使用的输入图像。 使用上传的 travel_photo 作为唯一来源照片；示例为一处安静、无人物的湖泊旅行场景。将这一张照片独立制作成一张高级海报，不得把多张照片拼接在同一画面。 采用 3:4 竖版，由清楚分离的摄影区和纸艺转绘区组成。两区之间使用平直、清晰、克制的水平边界，不做模糊渐融、撕裂渗透或材质重叠。 上方摄影区占约 45%–50%。忠实保留源图中的湖面、岸线、山体或树林轮廓、水流方向与倒影、地形关系、观察角度、真实材质、自然光线和原有色彩。只做轻微旅行杂志、独立出版物或摄影展级调色，并加入极薄胶片颗粒；上方必须仍是清楚可辨的真实照片。不得移动、替换、镜像、拉伸、重设或插画化任何源图要素。 下方 50%–55% 将同一场景重构为 SUSPENDED PAPER CARD TERRAIN。在温暖米白哑光纸面上悬挂一枚小型开放式手工纸卡或地形切片。纸卡占下方约 35%–50%，位于中央、中下部或依源图方向轻微偏置，四周保留约 40%–60% 连续空白。使用一根极细垂直悬线、纸钉或几乎不可见的悬点连接纸卡；悬线只能留在下方，绝不能穿过水平边界进入照片。 纸卡不是印有风景的平面卡片。让湖岸、水线、山脊、树林、栈桥或其他核心可见结构从纸卡自身的切槽、折起纸面和浅浮雕层中生长。只提取一个最具识别度的主体或地标、一条决定叙事的空间线索、两至三层必要地形和少量植物或浪花碎片作为尺度提示。主动删除、合并和缩小复杂环境，不等比例复制整张照片。用两三层轻薄纸片、连续窄切口、浅压痕、天然纤维、轻微翘角、开放纸边和克制短投影表现结构。 保留源图最关键的轮廓、方向、相对位置和标志性色彩，使湖泊场景仍可一眼识别。从 travel_photo 提取四至七种颜色并柔化，以米白纸为主要面积，只保留一处最具辨识度的强调色。 在纸卡外的连续留白中逐字呈现以下三条清晰英文文字，且不得出现其他文字：主标题“LAKE STILL”；编号“CARD NO. 01”；观察句“Morning rests on quiet water”。采用浅凹压印、铅字、窄体衬线或克制无衬线字体，像与纸卡共同制作在收藏页上。LAKE STILL 在聊天预览尺寸必须清晰，较小文字也不能缩成模糊灰线。 整体轻盈、安静、诗意、克制，像被细线悬在纸面上的旅行记忆；诗意来自尺度、留白、纸张和柔和重力感。避免圆形小星球、童话小行星、通用悬浮岛、写实沙盘、厚泡沫板、塑料玩具、光滑 3D、重阴影、密集纸雕植物、繁忙手账拼贴、整张照片换材质重画、相同构图等比例转绘、缺失原照片、装饰性照片缩略图、模糊分界、悬线穿过照片、作者名、书名、引用、Logo、品牌、网址、水印、乱码或任何额外文字。

Промпт на английском

Image 1 is the generated supporting image for travel_photo; use it as the actual input for the corresponding slot in this editing workflow. Use the uploaded travel_photo as the sole source photograph. It is a quiet non-person lake scene. Turn this one travel photo into one independent high-end poster; never combine several photos in one frame. Use a 3:4 vertical composition with a clearly separated photographic area and paper-art conversion area. Divide them with a straight, clear, restrained horizontal boundary without blurred blending, tearing, infiltration, or material overlap. The upper photographic area occupies about 45%–50% of the full image. Faithfully preserve the source lake, shoreline, mountain or tree silhouettes, water direction and reflections, terrain relationships, viewpoint, real materials, natural light, and original colors. Apply only slight travel-magazine, independent-publication, or photography-exhibition grading and very thin film grain. Keep it unmistakably a real photograph. Do not move, replace, mirror, stretch, redesign, or illustrate any source feature. The lower 50%–55% reconstructs the same scene as SUSPENDED PAPER CARD TERRAIN. On warm off-white matte paper, suspend one small open handmade paper card or terrain slice. The card occupies about 35%–50% of the lower area and sits centrally, lower-central, or slightly offset according to the source direction; preserve about 40%–60% continuous blank paper around it. Connect it with one extremely thin vertical suspension line, paper pin, or nearly invisible hanging point that remains entirely below the horizontal boundary and never enters the photograph. The card is not a flat print of the scenery. Let the lake edge, shoreline, ridge, trees, pier, or other core visible geometry grow from the card's own slots, folded paper surfaces, and shallow relief layers. Extract only one most recognizable landmark or subject, one spatial clue that defines the scene, two or three necessary terrain layers, and a few plant or wave fragments for scale. Delete, merge, and shrink complex surroundings instead of proportionally copying the whole photo. Build the structure with two or three thin paper layers, continuous narrow cuts, shallow indentations, natural fibers, slight curls, open paper edges, and restrained short shadows. Preserve the source's critical outlines, directions, relative positions, and signature colors so the lake scene remains immediately recognizable. Extract four to seven colors from travel_photo and soften them. Off-white paper dominates; keep only one distinctive accent color. In the continuous whitespace outside the card, render exactly these three readable English strings and no other text: main title “LAKE STILL”; number “CARD NO. 01”; observation “Morning rests on quiet water”. Use shallow debossing, letterpress, a narrow serif, or restrained sans serif as though the typography and card were crafted together on a collection page. Keep LAKE STILL legible at chat preview size; smaller lines must remain crisp rather than collapsing into gray marks. The mood is light, quiet, poetic, and restrained, like a travel memory held above paper by a fine thread. Its poetry comes from scale, whitespace, paper, and soft gravity. Avoid round miniature planets, fairy-tale asteroids, generic floating islands, realistic sandboxes, thick foam board, plastic toys, smooth 3D, heavy shadows, dense paper-cut plants, busy scrapbook collage, full-photo material repainting, proportional same-composition conversion, missing original photo, decorative photo thumbnails, blurred boundaries, suspension lines crossing the photo, author names, book titles, quotations, logos, brands, URLs, watermarks, gibberish, or any extra text.

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