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Дизайн плаката культурной выставки с угловой композицией

Corner Composition Cultural Exhibition Poster Design

«Дизайн плаката культурной выставки с угловой композицией» — работа с использованием gpt-image-2.5 на OpenZhenZhen. Изучите исходный промпт и пример генерации для собственных проектов.

Дизайн плаката культурной выставки с угловой композицией — AI image creation
Дизайн плаката культурной выставки с угловой композицией

Промпт

Промпт на китайском

制作一张 9:16 竖幅、具有成熟文化展览与编辑平面设计气质的压角构图海报。主题为“Lotus Lantern Gathering（传统莲花灯展）”，中文主标题为“莲灯映古城”，英文标题为“Lotus Lantern Gathering”，中心主体为“a complete lotus-lantern installation（完整的莲花灯装置）”。采用“dual-corner diagonal pressure”的边缘压迫方式，角部使用“large Chinese characters and archival information panels”；只使用一套与主题真实相关的辅助纹样“subtle lotus-petal archival linework”，主色调为“warm ivory, vermilion, and charcoal”，强调色为“jade green”，日期/机构信息为“2026 / CITY CULTURE ARCHIVE”。 核心不是简单把文字放进四角，而是利用边缘的大型中文字体、色块、信息区或图案向内施加视觉压力，自然“夹”出中心主体。中心主体保持完整、稳定并承担约 40%-60% 的视觉重量，不为配合构图故意倾斜或变形。四角压迫时要有主次，1-2 个角承担主要重量；对角压迫时两个对角为主、另外两角只放小信息；三角围压时保留一个轻角；单角重压时由对角小元素回应。大型中文标题可局部裁边、贴边或与主体轻微叠压，但必须清晰可读。英文标题、日期、机构和主题说明集中在 2-3 个区域，以超大中文、中号英文和极小信息形成清晰层级。背景不可完全空白，可加入极淡的主题纹样、档案信息、结构图、材料纹理或说明残影，但不抢主体。信息密度中高而不杂乱：第一眼读主体与压角关系，第二眼读中文标题，第三眼读英文、日期和辅助信息。即使移除小字，画面仍应是一张成立的文化展览海报。

Промпт на английском

Create a 9:16 vertical cultural-exhibition poster with a mature editorial graphic-design temperament. Set the theme to “Lotus Lantern Gathering” (a traditional lotus-lantern exhibition), the Chinese main title to “莲灯映古城”, the English title to “Lotus Lantern Gathering”, and the central subject to “a complete lotus-lantern installation” (a complete lotus-lantern installation). Use “dual-corner diagonal pressure” as the edge-pressure method; place “large Chinese characters and archival information panels” in the corners; use one auxiliary pattern genuinely related to the theme, “subtle lotus-petal archival linework”; set the main palette to “warm ivory, vermilion, and charcoal”, accent color to “jade green”, and date/organization line to “2026 / CITY CULTURE ARCHIVE”. The idea is not merely to put text in four corners: large Chinese typography, color blocks, information panels, or patterns at the edges should apply inward visual pressure and naturally squeeze out the central subject. Keep the central subject complete, stable, and responsible for about 40%-60% of the visual weight; never tilt or deform it to fit the layout. For four-corner pressure, establish hierarchy with 1-2 dominant corners; for diagonal pressure, make two diagonal corners primary and keep the other two informational; for a three-corner wrap, deliberately release one corner; for single-corner heavy pressure, let a smaller diagonal element respond. Large Chinese type may crop at an edge or lightly overlap the subject, but must remain clearly legible. Concentrate the English title, date, organization, and theme description in 2-3 areas, creating hierarchy through extra-large Chinese type, medium English type, and tiny information. The background must not be completely blank: add only very faint theme patterns, archival information, structural diagrams, material textures, or explanatory traces, never competing with the subject. Keep information density medium-high but ordered: first read subject and corner pressure, second the Chinese title, third the English, date, and supporting information. The poster must remain a valid visual work even if small text is removed.

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