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Центральная ось и обрамлённый вид: дизайн премиального культурного выставочного плаката

Central Axis Framed View: Premium Cultural Exhibition Poster Design

«Центральная ось и обрамлённый вид: дизайн премиального культурного выставочного плаката» — работа с использованием gpt-image-2.5 на OpenZhenZhen. Изучите исходный промпт и пример генерации для собственных проектов.

Центральная ось и обрамлённый вид: дизайн премиального культурного выставочного плаката — AI image creation
Центральная ось и обрамлённый вид: дизайн премиального культурного выставочного плаката

Промпт

Промпт на китайском

创建一张关于 {theme} 的高冲击力文化展览海报，画幅为 {image_ratio}，采用“中轴夹景”构图。生成前解析变量：中文主标题={chinese_main_title}；英文标题={english_title}；左侧主体={left_main_subject}；右侧主体={right_main_subject}；中轴内容={central_axis_content}；夹景方式={clamping_method}；背景主色={background_main_color}；主体材质与风格={subject_material_and_style}；日期/场馆={date_venue}。 先建立清晰稳定的垂直中轴，让左右主体从画面边缘共同形成视觉重量，把标题、小人物、植物、结构线或留白推向中央。左右主体必须足够大，允许自然裁切并承担主要视觉重量。两侧可以在轮廓、大小、颜色、材质和细节上不同，但整体重量必须平衡，避免简单复制和机械镜像。 根据 {clamping_method} 与主题匹配：圆弧主体可以共同夹出中央负形；建筑或屏风可以通过透视形成中轴纵深；织物或植物可以自然弯曲围合中心；器物或文物可以通过左右配重强化中央标题。让中轴成为画面最重要的阅读区域。将 {chinese_main_title} 以大胆大字号中文排版呈现，可使用纵排、横竖混排、尺度变化、局部遮挡或与主体轻微穿插。加入 {english_title} 和克制的展览微型信息。 允许中轴加入一个低权重视觉节点，例如极小人物、花枝、纹样拓片、结构线稿或研究图，但不要形成第三个同等级主体。将信息集中在 2-3 个区域：中轴核心、左右边栏和底部展讯。以 {background_main_color} 作为明确的大面积主色，整体控制在 3-5 个主要颜色，通过材质、字体和极少量点缀色形成对比。 使用 {subject_material_and_style} 呈现主体。最终作品应具有强中轴、强主体、清晰色域、可读文字、真实材质、丰富但不混乱的信息，以及成熟文化展览海报和编辑设计的完成度。将 {date_venue} 作为克制的展览信息加入。避免普通左右对称、杂乱、随机文字、Logo、水印和无法辨认的排版。

Промпт на английском

Create a high-impact cultural exhibition poster for {theme} in {image_ratio} format, using a central-axis clamped composition. Resolve these variables before generation: Chinese Main Title={chinese_main_title}; English Title={english_title}; Left Main Subject={left_main_subject}; Right Main Subject={right_main_subject}; Central Axis Content={central_axis_content}; Clamping Method={clamping_method}; Background Main Color={background_main_color}; Subject Material and Style={subject_material_and_style}; Date/Venue={date_venue}. Establish a clear stable vertical central axis. Let the left and right main subjects create visual weight from the edges and push the title, small character, plant, structural line or negative space toward the center. Both subjects must be large enough for natural cropping and must carry the main weight. They may differ in silhouette, scale, color, material and detail, but their total weight must balance without simple duplication or mechanical mirroring. Use {clamping_method} according to the theme: curved forms may clamp a central negative shape; architectural or screen forms may create depth through perspective; fabric or plants may bend naturally around the center; objects or cultural artifacts may weight the central title from both sides. Make the central axis the most important reading area. Set {chinese_main_title} in a bold large Chinese type treatment, using vertical, mixed horizontal/vertical, scale change, partial occlusion or slight intersection with the subjects. Add {english_title} and restrained exhibition micro-information. Allow one low-weight visual node such as a tiny figure, flower branch, rubbing pattern, structural line drawing or research diagram, but do not create a third subject at the same visual level. Concentrate information in 2-3 areas: central core, sidebars and bottom exhibition information. Use one dominant large-area color from {background_main_color}, keep the full palette to 3-5 colors and let material, typography and tiny accents create contrast. Render the subjects using {subject_material_and_style}. The result should have a strong axis, strong subjects, clear color field, readable text, realistic material behavior, rich but controlled information and the finish of a mature cultural-exhibition poster and editorial design. Include {date_venue} as restrained exhibition information. Avoid generic bilateral symmetry, clutter, random text, logos, watermarks and unreadable typography.

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