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Креативный кулинарный постер и интерактивный типографический дизайн

Creative Food Poster and Typography Interaction Design

«Креативный кулинарный постер и интерактивный типографический дизайн» — работа с использованием gpt-image-2.5 на OpenZhenZhen. Изучите исходный промпт и пример генерации для собственных проектов.

Креативный кулинарный постер и интерактивный типографический дизайн — AI image creation
Креативный кулинарный постер и интерактивный типографический дизайн

Промпт

Промпт на китайском

[品牌]：Kiyomizu-dera Temple in Kyoto, Japan [产品]：Kiyomizu-dera Temple in Kyoto, Japan [标题]：Kiyomizu-dera Temple in Kyoto, Japan [交互]：Kiyomizu-dera Temple in Kyoto, Japan [食物元素]：Kiyomizu-dera Temple in Kyoto, Japan [强调色]：Kiyomizu-dera Temple in Kyoto, Japan [详情]：Kiyomizu-dera Temple in Kyoto, Japan 创建一个 9:16 的垂直食品社论海报，将高度真实的食物摄影与大型专业设计的版式相结合。 使用温暖的奶油色或象牙色背景、微妙的纸张纹理、整洁的社论构图和极简的道具。 保持[标题]大而扁平、锐利且完全清晰可见。食物必须保持为真实的独立成分，并根据[交互]在物理上穿过版式。 对于“穿过字孔”，让食物清晰地进入并退出字母内部的开放空间，具有可信的前后遮挡。 对于“抓取字母”，让食物的自然部分物理地附着或握住一个字母，而排版本身保持不变。 对于“缠绕笔画”，使用一个连续的食用元素，以可追踪的路径在不同的字母笔画前面、后面和周围移动。 对于“折叠穿插”，使用具有可见厚度和真实食物纹理的宽大柔性食物片，在字母的前面、后面和负空间之间折叠。 每次交互必须具有清晰的深度。排版前方的食物应投射细微的接触阴影；排版后方的食物应被真实隐藏。保持食物的纹理、厚度和方向连续，以便观众可以在整个构图中追踪到同一种成分。 不要将食物变成字母，不要使用食物纹理来填充排版，也不要依赖数字扭曲或虚假的 3D 效果。 结合天然食物颜色和深色中性色使用[强调色]。仅添加少量有意义的细节，如[品牌]、产品名称、成分、一行简短的文案、营业时间及地址。 最终图像应在缩略图尺寸下作为吸引停留的海报发挥作用：一个大胆的标题、一个可辨识的食物元素和一个立即可理解的空间交互。

Промпт на английском

[BRAND]: NANA NOODLE BAR [PRODUCT]: salmon citrus soba [HEADLINE]: SLURP [INTERACTION]: wrap around strokes [FOOD ELEMENT]: salmon ribbon and citrus peel [ACCENT COLOR]: vermilion red [DETAILS]: buckwheat noodles, citrus broth, 11:00-21:00, Riverside Lane 18 Create a 9:16 vertical food editorial poster combining highly realistic food photography with large, professionally designed typography. Use a warm cream or ivory background, subtle paper texture, clean editorial composition and minimal props. Keep SLURP large, flat, sharp and fully readable. The food must remain a real independent ingredient and physically travel through the typography according to wrap around strokes. For “through counters,” let the food clearly enter and exit the open spaces inside letters, with believable front and back occlusion. For “grip letters,” let a natural part of the food physically attach to or hold a letter while the typography itself remains unchanged. For “wrap around strokes,” use one continuous edible element to move in front of, behind and around different letter strokes with a traceable path. For “fold through type,” use a broad flexible food sheet with visible thickness and real food texture, folding between the front, back and negative spaces of the letters. Every interaction must have clear depth. Food in front of type should cast subtle contact shadows; food behind type should be genuinely hidden. Keep the food’s texture, thickness and direction continuous so the viewer can trace the same ingredient through the composition. Do not turn food into letters, do not use food textures to fill typography, and do not rely on digital warp or fake 3D effects. Use vermilion red with natural food colors and dark neutrals. Add only a few meaningful details such as NANA NOODLE BAR, product name, ingredients, one short line of copy, opening hours and address. The final image should work as a stop-scroll poster at thumbnail size: one bold headline, one recognizable food element and one immediately understandable spatial interaction.

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