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Áp phích thiết kế thông tin giấy Đường Thủy Triều

Tide Line Paper Information Design Poster

Áp phích thiết kế thông tin giấy Đường Thủy Triều — khám phá tác phẩm được tạo bằng gpt-image-2.5 trên OpenZhenZhen, kèm prompt gốc và ví dụ tạo nội dung để tham khảo.

Áp phích thiết kế thông tin giấy Đường Thủy Triều — AI image creation
Áp phích thiết kế thông tin giấy Đường Thủy Triều

Prompt

Prompt tiếng Trung

生成一张 9:16 竖版、克制庄重且带有人文温度的纸质信息设计海报，主题为河口低潮田野记录。背景是高亮近白的暖象牙无涂层艺术纸，可见精细均匀的纸纤维、轻微扫描感和油墨吸收形成的柔软边缘；不要污渍、强折痕、光泽、立体投影、装饰渐变或 UI 样式。 沿单一垂直阅读轴建立模块：顶部两侧分别放极小、纤细、字距很宽的“FIELD NOTE / 03”和“21 JUN 2026”，保持遥远间距和轻微不对称。其下设置横向延展、极高对比拉丁衬线大标题“TIDELINE”，使用深朱红色油墨，细发丝与粗笔画反差强烈、字形修长、端点锐利。标题下方居中放三行纤细宋体短语“河口低潮”“回落水位”“东风微凉”，行距舒展、深靛近黑。 中心是单色木刻/版画式河口线描：从中心向外展开清晰海岸轮廓、连续潮汐弧线、层叠水道和少量平涂，前景线条更长开放，中景最重，远景为细短笔触。线描使用靛青近黑，允许轻微手绘线宽变化与吸墨钝边；用大量纸面留白制造稳定而不沉重的尺度感。主图下方清晰写“水位回落”。底部用超大高对比数字“18 KM”锚定视觉重量，左右分别放“LOW TIDE”和“EAST WIND”，中间用极细水平线连接并标注“06:40”。最底边是一条细规则线，中心有小型对称潮汐徽记，下面是字距极宽的微型文字“TIDELINE ARCHIVE”。 强调色为干净略带矿物颜料感的深朱红，约占画面 10–20%，集中在大标题、少量潮位标记和底部细线；背景保持暖象牙近白，正文和数字为同样偏暖的靛青近黑。色彩面积保持不对称，朱红越鲜明，纸面和深色区域越克制。远观应安静、明亮、秩序清晰；近看可发现纸纤维、潮线、潮位标记与印刷边缘。所有指定文字必须完整、准确、清晰可读。不要随机文字、logo、水印、编号外的额外数字、星爆或闪烁符号。

Prompt tiếng Anh

Create a 9:16 vertical, restrained solemn paper informational-design poster with human warmth, themed as a low-tide estuary field record. The background is bright near-white warm-ivory uncoated fine-art paper, with fine uniform paper fiber, a slight scanned feel, and soft ink-absorption edges. No stains, heavy creases, gloss, dimensional shadows, decorative gradients, or UI styling. Build modules on one vertical reading axis: set extremely small, thin, widely letterspaced "FIELD NOTE / 03" and "21 JUN 2026" at opposing top sides, separated by remote spacing and slight asymmetry. Beneath, set the horizontal extended, high-contrast Latin serif headline "TIDELINE" in deep vermilion ink, with dramatic hairline-versus-stem contrast, elongated letters, and sharp terminals. Center three slender Song-style Chinese lines beneath it: "河口低潮", "回落水位", and "东风微凉", with generous leading in warm indigo-black. At the center, make a monochrome woodcut/printmaking line drawing of an estuary: clear coast contours, continuous tidal arcs, layered channels, and a few flat fills expand from the middle. Keep foreground lines longer and open, middle forms heaviest, and distance as fine short strokes. Draw in indigo-near-black with slight hand-drawn line-weight variation and softened absorbent edges; use wide blank paper areas for monumentality without heaviness. Clearly set "水位回落" beneath the illustration. Anchor the bottom with huge high-contrast numerals "18 KM"; place "LOW TIDE" and "EAST WIND" apart to left and right, connected at center by an ultra-fine horizontal rule marked "06:40". Finish with a hairline rule at the bottom edge, lifted at center by a small symmetric tidal emblem, with the widely letterspaced micro wordmark "TIDELINE ARCHIVE" beneath it. Use clean deep vermilion with a slightly mineral-pigment character as the accent, roughly 10–20% of the composition, concentrated in headline, a few tide markers, and bottom fine lines. Keep paper near-white warm ivory and body text/numerals warm indigo-near-black. Maintain asymmetric color area contrast: the more vivid the vermilion, the more restrained the paper and dark areas. It must feel bright, quiet, and orderly at distance, revealing fibers, tide lines, markers, and printed edges close up. Every specified text item must be complete, accurate, and clearly readable. No random text, logo, watermark, extra numerals beyond the specified information, starbursts, or sparkle symbols.

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